Computer is back! I've missed you all...
Rain today. It acts on me like springtime after a long winter - I'm alert to every scent, every sound. It's dark now when I bus home from work, and lights shine back at me from puddled water on the street. I take a different route home, walk the last few blocks, passing restaurants, their light shining out into the street, people inside dry and warm, moving slowly in the light, a tall blond man in the taqueria looks out the window, he's Stan Laurel, stretched. His enormous flat blue eyes pick me out in the dark, trying to slip silently by, raindrops scattering out from my umbrella.
Another block, the curry place, the naan maker grins suddenly out at me, flattening dough on his hand. I wave. In the next doorway, a man sits on the ground, I've seen him before, he's blind, always on one corner or another, empty cup by his knee, wishing passersby a good day.
At the corner, the doughnut shop, a man in a knit cap looks stunned, staring down at his coffee, skin pale in the flickering light.
I stand at the corner and think about the blind guy a few steps back. I see him more than any other neighbor, but I've never met him. The rain's turned me soft. I turn around and go back.
I kneel down, saying hello, shamefacedly handing him what I dig out of my wallet, introducing myself.
"I'm Francis," he says.
"It's good to meet you, Francis."
He holds out his hand, a little high and to the right. I reach up to take his hand and shake it. The dirt lodged so deeply in his wrinkles, they're pure black lines, like his face was scribbled with a marker, but his hand is warm, not as rough as it looks. One eye nearly closed, the other, hazel, wandering off to one side. I realize I'm kneeling in water.
I get up, something fatuous dribbling out of my mouth, "Take care," like I'm his mother, "it's cold out..."
"Yeah," he laughs, "It is, a bit."
No shit, lady, he must be thinking. Thanks for pointing out the obvious.
Monday, November 07, 2005
Sunday, November 06, 2005
This is Chemical Billy
monkey 0, who is always watching, stopped by the other day and snapped some photos.

Dad, if you're reading this, the cig is just a prop.

And in case you wondered, monkey 0 is eight feet tall.

Dad, if you're reading this, the cig is just a prop.

And in case you wondered, monkey 0 is eight feet tall.
Sunday, October 30, 2005
Sprained
Note: Computer in hospital, I'm stealing time on someone else's laptop just now, so I will be brief.
Walking to work the other morning, I saw first a delicate foot, wrapped neatly in a scarf, gold, red, black. A man holding the foot like the prince with Cinderella's shoe, kneeling on the sidewalk in his suit, eyes looking wide-open toward the owner of the foot, dark circles under his long lower lashes. I clear the fence and now see her sitting on a step, in rich, impeccable hijab, flawless skin flushed, a fat tear shining in the inner corner of her eye, gathering enough weight to slip free, land splashing on the cement beside her tiny hand.
Walking to work the other morning, I saw first a delicate foot, wrapped neatly in a scarf, gold, red, black. A man holding the foot like the prince with Cinderella's shoe, kneeling on the sidewalk in his suit, eyes looking wide-open toward the owner of the foot, dark circles under his long lower lashes. I clear the fence and now see her sitting on a step, in rich, impeccable hijab, flawless skin flushed, a fat tear shining in the inner corner of her eye, gathering enough weight to slip free, land splashing on the cement beside her tiny hand.
Sunday, October 23, 2005
But there's always time for scratch fiction
Arlene leaned on the counter, jiggling one foot behind her. "I wonder what they're looking at?"
"Huh?" Norman was looking at the smudge she left on the glass, he'd just Windexed and she was hanging all over it. Little dolt. She looked good out front, though, the rich guys loved to buy jewelry from her, never mind she had no idea what she was talking about. She'd hold a gold chain against her neck, hanging into her cleavage and say, "Every woman's skin looks good with gold," and they only had to focus long enough to pull out a credit card.
Right now she was sprawled all the way across the counter to get a good look outside.
"Those people, what're they looking at?"
Norman stepped around the counter and ducked a little to look out the door. People were standing outside, looking up. Dozens of people out on the street, all of them looking straight up into the air.
"I'm due for a smoke," said Norman, reaching over the counter for his pack and lighter, "You watch the store, I'll see what's up."
Norman chuckled at his little pun, walking out the door, up the two steps.
He stopped next to the guy from the salon next door, squinted up at the sky, tucking a cigarette into his mouth.
"What's going on?"
The salon guy shook his head, half shook it, still staring up, mouth open, eyes wide.
That was funny, the August sun was right overhead, full wattage, but the salon guy wasn't squinting. Norman frowned upward, striking his lighter.
The flame went out, his cigarette hanging in his mouth, unlit.
"What the fuck...?"
Something was falling out of the blue sky. Snow. It was eighty degrees outside. Norman looked around. Everyone was still, staring up. Cars were stopped. Arlene was leaning slowly out the door, her face turning up.
"It's not snow, it can't be," said Norman.
Nobody said anything. Huge flakes drifted down, thicker and thicker.
Arlene froze where she stood, halfway out the door.
"Look," said Norman, "This is stupid. It's not snow." He lifted a hand to catch some, to show them all it was something else. Five, eight flakes landed in his palm, on his fingers. Slowly they grew translucent, he could see individual crystals, like when he cut out snowflakes in school, rounded scissors clipping out perfect little triangles, diamonds, circles. "No two snowflakes alike," his teacher would say, but Norman's were, all of Norman's snowflakes were identical.
More flakes lighted on his hand, the first ones melted into tiny lakes, fresh flakes caught on the shores, losing their perfect whiteness, crystal bones showing through, then dissolving into water in his palm.
"Huh?" Norman was looking at the smudge she left on the glass, he'd just Windexed and she was hanging all over it. Little dolt. She looked good out front, though, the rich guys loved to buy jewelry from her, never mind she had no idea what she was talking about. She'd hold a gold chain against her neck, hanging into her cleavage and say, "Every woman's skin looks good with gold," and they only had to focus long enough to pull out a credit card.
Right now she was sprawled all the way across the counter to get a good look outside.
"Those people, what're they looking at?"
Norman stepped around the counter and ducked a little to look out the door. People were standing outside, looking up. Dozens of people out on the street, all of them looking straight up into the air.
"I'm due for a smoke," said Norman, reaching over the counter for his pack and lighter, "You watch the store, I'll see what's up."
Norman chuckled at his little pun, walking out the door, up the two steps.
He stopped next to the guy from the salon next door, squinted up at the sky, tucking a cigarette into his mouth.
"What's going on?"
The salon guy shook his head, half shook it, still staring up, mouth open, eyes wide.
That was funny, the August sun was right overhead, full wattage, but the salon guy wasn't squinting. Norman frowned upward, striking his lighter.
The flame went out, his cigarette hanging in his mouth, unlit.
"What the fuck...?"
Something was falling out of the blue sky. Snow. It was eighty degrees outside. Norman looked around. Everyone was still, staring up. Cars were stopped. Arlene was leaning slowly out the door, her face turning up.
"It's not snow, it can't be," said Norman.
Nobody said anything. Huge flakes drifted down, thicker and thicker.
Arlene froze where she stood, halfway out the door.
"Look," said Norman, "This is stupid. It's not snow." He lifted a hand to catch some, to show them all it was something else. Five, eight flakes landed in his palm, on his fingers. Slowly they grew translucent, he could see individual crystals, like when he cut out snowflakes in school, rounded scissors clipping out perfect little triangles, diamonds, circles. "No two snowflakes alike," his teacher would say, but Norman's were, all of Norman's snowflakes were identical.
More flakes lighted on his hand, the first ones melted into tiny lakes, fresh flakes caught on the shores, losing their perfect whiteness, crystal bones showing through, then dissolving into water in his palm.
Blackout
My trusted computer has given it up. Forgive me, then, if I'm lax in answering all your (highly entertaining) comments, or light in posting these days: all my computer time for the immediate future is borrowed computer time.
Luck is with me though, the crash happened the day after I finished my massive re-write. Yes, I backed up the book. I feel as though I'm looking at a bullet hole left in the wall just after feeling something buzz past my ear. Life is grand.
Luck is with me though, the crash happened the day after I finished my massive re-write. Yes, I backed up the book. I feel as though I'm looking at a bullet hole left in the wall just after feeling something buzz past my ear. Life is grand.
Saturday, October 22, 2005
Nobody counted on rain
this Tuesday, even the weather report showed that little sun graphic, no cloud, no dripping rain. But it showed up anyway, girl in a sundress, arms wrapped around her waist, running across the street, old Chinese couple bending in toward each other at the bus stop, heads touching.
I'm walking fast away from work, dodging the drops, sweat and rain soaking into my skin, I hear a scooter coming up from behind, scooter motor putting, and another sound layered on top of it, I stop and turn to look.
Scooterist coming quick up the road, helmet but no jacket, spreading bib of wet down the front of his shirt, arms shaking, his mouth wide open.
He's laughing.
He passes me, laughing, shirt stuck to his skin like wet toilet paper, laughing, he roars down the street.
I'm walking fast away from work, dodging the drops, sweat and rain soaking into my skin, I hear a scooter coming up from behind, scooter motor putting, and another sound layered on top of it, I stop and turn to look.
Scooterist coming quick up the road, helmet but no jacket, spreading bib of wet down the front of his shirt, arms shaking, his mouth wide open.
He's laughing.
He passes me, laughing, shirt stuck to his skin like wet toilet paper, laughing, he roars down the street.
Monday, October 17, 2005
I need another avoidance activity
When I'm avoiding working on the novel by blogging, but I can't drag my carcass in the general direction of an even half-assed post, I know it's bad. I'm pages from the end of a huge and way too time-consuming rewrite, but those last few hundred words are slippery. Damn things keep sliding away, collecting in a big puddle just underneath my keypad.
Clearly, I need to drink more.
Clearly, I need to drink more.
Sunday, October 16, 2005
October 16
Today is my mother's birthday. I can't bring to mind a single one of her birthdays while I was at home, not one. Only after moving out, calling home to wish her a happy birthday, she and Dad would have gone out for dinner, or, often enough, postponed until she felt well enough.
For our birthdays, Mom made cheesecake, baked, sour cream icing and blueberries in a glaze. Sweetened with honey instead of sugar. Bricks of cream cheese, cold from the refrigerator, softened an hour or so on the counter, it seemed to take hours more wearing it down with the wooden spoon, mixing in the honey. We crushed graham crackers in a bag, rolling pin over and over. Butter melted on the stove, fingers blending warm butter into cracker crumbs.
I remember her hand over mine, pressing the crust into the bottom of the springform pan.
Strawberries or mandarin oranges ringing the top, blueberries in the center.
A small piece would leave us sleepy in the living room, bellies round, my brothers' legs stretched out, crossed at the ankles, conversation turning lazy, hands behind our heads, laughing.
Often enough, Mom would already be in bed, energy enough to make the cake, but running out, like a car low on gas, her smile wearing down, by dinner shrunk back to the bedroom, Dad fixing a plate to take in, how many birthdays when she couldn't hold it up long enough to have a piece of her own, a sliver maybe the next day from the fridge.
She was sick so long, ever since I can remember, we thought she'd outlive us all.
For our birthdays, Mom made cheesecake, baked, sour cream icing and blueberries in a glaze. Sweetened with honey instead of sugar. Bricks of cream cheese, cold from the refrigerator, softened an hour or so on the counter, it seemed to take hours more wearing it down with the wooden spoon, mixing in the honey. We crushed graham crackers in a bag, rolling pin over and over. Butter melted on the stove, fingers blending warm butter into cracker crumbs.
I remember her hand over mine, pressing the crust into the bottom of the springform pan.
Strawberries or mandarin oranges ringing the top, blueberries in the center.
A small piece would leave us sleepy in the living room, bellies round, my brothers' legs stretched out, crossed at the ankles, conversation turning lazy, hands behind our heads, laughing.
Often enough, Mom would already be in bed, energy enough to make the cake, but running out, like a car low on gas, her smile wearing down, by dinner shrunk back to the bedroom, Dad fixing a plate to take in, how many birthdays when she couldn't hold it up long enough to have a piece of her own, a sliver maybe the next day from the fridge.
She was sick so long, ever since I can remember, we thought she'd outlive us all.
Sunday, October 09, 2005
Saturday, October 08, 2005
As if death were a daily routine
Samuel loosened his tie, squinting up at the sun. His beige suit looked dingy in this sunlight, he could see grime at the cuffs. Should take it to the cleaners, if there's time. Tomorrow.
He looked at his watch. Half an hour before the meeting. He shouldn't be out here, should be going through his notes, but the office was so cold today. Sun warm on his cheek. Samuel turned his face up, stopped on the sidewalk, a woman grunted almost running into him, bent her steps around him, the other people on the street following her, flowing around Samuel.
I am a rock in the stream, thought Samuel, his face to the sun.
Angela wasn't happy with him this morning, he was slower than usual, holding her up, holding the kids up. They should have made it to school okay, though. She kept bumping into him in the kitchen, You still working on that coffee? Bumping, then moving around him, it was easy enough to adjust.
A lot of people out on the street at this time of day, thought Samuel. Lunchtime, why don't I ever come out for lunch?
He liked the feeling of hundreds of people moving around him, shoulders brushing against his, voices, thoughts crowding into him. He could smell hairspray, and cheap cologne, and bad breath, even that was something, Samuel breathed it all in.
I never liked crowds before, thought Samuel.
Samuel drew in another breath, and it stopped. He let go and tried again. It was caught in his chest. Caught there, hung up, and now he couldn't let it go.
Already, thought Samuel.
He looked at his watch. Ten minutes to the meeting. They would have to start without him. Just as well, he never did look over his notes. He wondered where Angela was, this time of day. Did she go out for lunch? He thought maybe she did. The kids, his girls, would be in the cafeteria, green trays, fish in a square, peas or lima beans. He could hear kid voices bouncing off the floors, long cafeteria tables. He looked around at the people on the street, then up at the sun. He tried another breath. Nothing.
I wish I'd worn the blue suit, thought Samuel, as his knees gave, bending, falling slow to the sidewalk.
Thanks to Maqroll and Deniz Eskisi
He looked at his watch. Half an hour before the meeting. He shouldn't be out here, should be going through his notes, but the office was so cold today. Sun warm on his cheek. Samuel turned his face up, stopped on the sidewalk, a woman grunted almost running into him, bent her steps around him, the other people on the street following her, flowing around Samuel.
I am a rock in the stream, thought Samuel, his face to the sun.
Angela wasn't happy with him this morning, he was slower than usual, holding her up, holding the kids up. They should have made it to school okay, though. She kept bumping into him in the kitchen, You still working on that coffee? Bumping, then moving around him, it was easy enough to adjust.
A lot of people out on the street at this time of day, thought Samuel. Lunchtime, why don't I ever come out for lunch?
He liked the feeling of hundreds of people moving around him, shoulders brushing against his, voices, thoughts crowding into him. He could smell hairspray, and cheap cologne, and bad breath, even that was something, Samuel breathed it all in.
I never liked crowds before, thought Samuel.
Samuel drew in another breath, and it stopped. He let go and tried again. It was caught in his chest. Caught there, hung up, and now he couldn't let it go.
Already, thought Samuel.
He looked at his watch. Ten minutes to the meeting. They would have to start without him. Just as well, he never did look over his notes. He wondered where Angela was, this time of day. Did she go out for lunch? He thought maybe she did. The kids, his girls, would be in the cafeteria, green trays, fish in a square, peas or lima beans. He could hear kid voices bouncing off the floors, long cafeteria tables. He looked around at the people on the street, then up at the sun. He tried another breath. Nothing.
I wish I'd worn the blue suit, thought Samuel, as his knees gave, bending, falling slow to the sidewalk.
Thanks to Maqroll and Deniz Eskisi
Monday, October 03, 2005
Nothing wastes
A friend recently wrote a book, the first part of which takes place in 13th century China. The main character's grandfather dies, and the family enters a three year mourning. As part of that mourning, the father "...spoke every day to his children about their grandfather's life and character."
My mother died in January. These are different times, and our rituals have been diluted, watered down and thinned out to a barely discernable skein of gestures: coffin, funeral, flowers, eulogy. But grief expands beyond the designated days or weeks of mourning, airplane to visit family, time off work, sympathy cards.
Her birthday was in October. Dad makes a calendar every year to track family birthdays (we're a big family, and growing, birthdays populate every month), and each month features family photos, often of the birthday girls or boys. So I turn the calendar over to October, and there's Mom. Mom in yellow, holding a yellow rose from the yard. Mom in the kitchen, gesturing like Vanna White. Mom in the snow, on the phone, in the pool.
Mom through Dad's eyes. Theirs was a great love, an affair amplified through years of retelling, a towering legend they built together (a poet and an artist), with the collaboration of their kids.
I'm edging around my point, creeping up to it by degrees. I've wondered how best to mourn Mom, to acknowledge her life without creating an idol - a doll - of her. And this is where I land: I will tell her story. In pieces, not comprehensive, not whole, but my stories of her (single-point perspective, like late Medieval art). And, I will post some of her poems alongside. So, at least through the anniversary of her death, I will use this forum - though not for this exclusively - to say goodbye.
Other posts:
Storm in August
October 16
Old Ranch Dies
This poem seems entirely too appropriate.
Nothing Wastes
Struck from the rock
Out of the fume of smoke,
The first spark spins.
Hastily, I feed it
What small tinder
I can gather;
Plunder woven
Out of vacant nests;
Outgrown down, small twig things
(Bird breast-bones, polished
Pinky fingers, skeletons of trees)--
An excess of debris
Feeds flame
Sent spiralling
Above the glaciered stone,
Above the eyes flow,
Frozen into streams.
Feeds flame avalanches devastate,
Log jams, useless even
For a tomb. Springs fire
Releasing streams to melt
In torrents and run down,
Dislodging stone moves
Fractionally, from my prison
And I see, finally
That nothing wastes.
Not windfalls, winter leavings
From her nests, not spent
Trees. Not pain. No waste
In death--nor in the
Bitter taste, the offering
Of suffering
Upon the breath.
My mother died in January. These are different times, and our rituals have been diluted, watered down and thinned out to a barely discernable skein of gestures: coffin, funeral, flowers, eulogy. But grief expands beyond the designated days or weeks of mourning, airplane to visit family, time off work, sympathy cards.
Her birthday was in October. Dad makes a calendar every year to track family birthdays (we're a big family, and growing, birthdays populate every month), and each month features family photos, often of the birthday girls or boys. So I turn the calendar over to October, and there's Mom. Mom in yellow, holding a yellow rose from the yard. Mom in the kitchen, gesturing like Vanna White. Mom in the snow, on the phone, in the pool.
Mom through Dad's eyes. Theirs was a great love, an affair amplified through years of retelling, a towering legend they built together (a poet and an artist), with the collaboration of their kids.
I'm edging around my point, creeping up to it by degrees. I've wondered how best to mourn Mom, to acknowledge her life without creating an idol - a doll - of her. And this is where I land: I will tell her story. In pieces, not comprehensive, not whole, but my stories of her (single-point perspective, like late Medieval art). And, I will post some of her poems alongside. So, at least through the anniversary of her death, I will use this forum - though not for this exclusively - to say goodbye.
Other posts:
Storm in August
October 16
Old Ranch Dies
This poem seems entirely too appropriate.
Nothing Wastes
Struck from the rock
Out of the fume of smoke,
The first spark spins.
Hastily, I feed it
What small tinder
I can gather;
Plunder woven
Out of vacant nests;
Outgrown down, small twig things
(Bird breast-bones, polished
Pinky fingers, skeletons of trees)--
An excess of debris
Feeds flame
Sent spiralling
Above the glaciered stone,
Above the eyes flow,
Frozen into streams.
Feeds flame avalanches devastate,
Log jams, useless even
For a tomb. Springs fire
Releasing streams to melt
In torrents and run down,
Dislodging stone moves
Fractionally, from my prison
And I see, finally
That nothing wastes.
Not windfalls, winter leavings
From her nests, not spent
Trees. Not pain. No waste
In death--nor in the
Bitter taste, the offering
Of suffering
Upon the breath.
Saturday, October 01, 2005
Help Billy
I've lost my way in blogland. And I'm asking you, dear readers, to help me find my way back.
I'm nothing without comments. I live for your comments. I am a comment whore. I'll go back and read a good comment fifty times in a day. And then I'll want to write more stuff, and read your stuff, and leave comments, and the beast feeds itself.
And I can't help noticing, my comments have been mighty thin lately.
So, I'm asking for your input. What would you like to see more of? Less of? If I must post cheesecake photos of myself for Half Nekkid Thursday, then by golly, I will buy a camera and strip.
There seem to be three different types of things that I write, and I'm taking votes on which you like best.
The first would be found objects, little scenes or people I observe about town, like Paleface or What Shondelle doesn't know.
The second I'm calling true stories, more personal (but not confessional) posts. See Billy goes under and Storm in August.
Last of all, of course, is scratch fiction.
That doesn't mean I'll necessarily eliminate the others, but you might give me a clue as to what works and what doesn't.
And if you want to see me write about something specific, or try something completely new, throw me a suggestion - I love a challenge!
I'm nothing without comments. I live for your comments. I am a comment whore. I'll go back and read a good comment fifty times in a day. And then I'll want to write more stuff, and read your stuff, and leave comments, and the beast feeds itself.
And I can't help noticing, my comments have been mighty thin lately.
So, I'm asking for your input. What would you like to see more of? Less of? If I must post cheesecake photos of myself for Half Nekkid Thursday, then by golly, I will buy a camera and strip.
There seem to be three different types of things that I write, and I'm taking votes on which you like best.
The first would be found objects, little scenes or people I observe about town, like Paleface or What Shondelle doesn't know.
The second I'm calling true stories, more personal (but not confessional) posts. See Billy goes under and Storm in August.
Last of all, of course, is scratch fiction.
That doesn't mean I'll necessarily eliminate the others, but you might give me a clue as to what works and what doesn't.
And if you want to see me write about something specific, or try something completely new, throw me a suggestion - I love a challenge!
"Too much oxygen..."
On the bus the other day, a soft voice piped up beside me. "What magazine is that?"
I look over to my seatmate, a bearded lady with thick glasses, hair in a neat ponytail, ash-colored skin. I think she's a bearded lady, but here in SF we have all the ranges of gender and between-gender, she might be mid-transition from male to female or vice-versa, or someone happily in-between.
Her voice is sweet as soft-serve ice-cream.
I'm reading The Week, and I show her the cover. We discuss the articles, how CSI gives criminals ideas, how hookworm can cure allergies, how leeches are making a comeback.
She calls across the aisle to a woman standing up, "Mama, you wanna come sit on my lap?"
She giggles as the other woman shakes her head.
"Oh my," the bearded lady says, "I've had too much oxygen today!"
I want to ask her about this, is she taking oxygen treatments? is this just an expression of hers? some other sort of treatment that involves oxygen? but it's my stop, I get up to let the other woman sit beside her, and she's talking and giggling, hand fluttering above her breasts, and as I step out of the bus, I can hear her exclaim:
"My oh my oh my, too much oxygen today!"
I look over to my seatmate, a bearded lady with thick glasses, hair in a neat ponytail, ash-colored skin. I think she's a bearded lady, but here in SF we have all the ranges of gender and between-gender, she might be mid-transition from male to female or vice-versa, or someone happily in-between.
Her voice is sweet as soft-serve ice-cream.
I'm reading The Week, and I show her the cover. We discuss the articles, how CSI gives criminals ideas, how hookworm can cure allergies, how leeches are making a comeback.
She calls across the aisle to a woman standing up, "Mama, you wanna come sit on my lap?"
She giggles as the other woman shakes her head.
"Oh my," the bearded lady says, "I've had too much oxygen today!"
I want to ask her about this, is she taking oxygen treatments? is this just an expression of hers? some other sort of treatment that involves oxygen? but it's my stop, I get up to let the other woman sit beside her, and she's talking and giggling, hand fluttering above her breasts, and as I step out of the bus, I can hear her exclaim:
"My oh my oh my, too much oxygen today!"
Monday, September 26, 2005
Into the blue, part 2
Something something about high desert air, crackling with autumn snap, it gets my mind wandering, nostalgia cranked up and keening me deaf. I want us to stop the car, get out, scrabble in the dirt, that clean desert dirt, purified insect skeletons and empty weeds, I want to poke at stinkbugs and chew on a piece of hay, climb into a creaking saddle, feel my thighs chafe on leather, smell of horse and sage and haybales.
Mr. Billy says sage doesn't grow this high, this far north, so maybe I'm not missing much, hurtling toward Carson City in Punkin's car. But after finding there's no there there, turning around in downtown Carson City, and back back to Tahoe, I'm foaming at the mouth to get out of car out of doors out out out.
It isn't until morning, though, that I blow out of our room onto the shores of the lake, blue sharp as a blade in 30 degree weather, but I'm stripped to bikini, head forward I plow over sand into water, sand turns to mud and still I push ahead in in in to the lake, deep breath and dive.
Underwater it's blue and quiet. Not the shock of cold I expect. My hands fan out beside me and I'm up above the water, boats bobbing, and down again feet and hands moving slow, dreamspeed in the water, I'm not cold not shivering, I could stay out here in the quiet for an hour a day no-one would know Billy the mermaid, deep in the lake.
But then I notice I can't feel my feet.
Back to shore, mud then sand, feet coming to life like hibernating bears, shrieking up at me.
That day we started back, homeward. Freeways past the towns, who knows what each town is like, all have the same McDonald'sStarbucksBordersGap out here by the freeway, if there is a difference, it's tucked away where all the people live. We pull off the freeway for lunch, and a sign points to Town Centre, McDonald'sStarbucksBordersGap in fake Olde Time style, town itself miles away, safe out of sight.
We pass Folsom prison, and I hear the Man in Black singing the Blues about the train going by, but all I see is cars and the same stores over and over and churches as big as barns, as big as malls, as big as stadiums, the smaller the town the bigger the church, a cross the size of a landing strip on the side, Jehovah surely able to see it all the way from heaven.
And still I want to pull over, jump out of the car, bury my face in desert dirt and dream back to kidhood on Grandpa's ranch, potato bug rolled up in the palm of my hand, eggs hen-warm, hollyhocks knocking against each other in the wind.
But I know it wouldn't do, wouldn't come close, the smell of the road, the stripmalls, the churches too strong, so I put my seat back, and try to sleep.
Mr. Billy says sage doesn't grow this high, this far north, so maybe I'm not missing much, hurtling toward Carson City in Punkin's car. But after finding there's no there there, turning around in downtown Carson City, and back back to Tahoe, I'm foaming at the mouth to get out of car out of doors out out out.
It isn't until morning, though, that I blow out of our room onto the shores of the lake, blue sharp as a blade in 30 degree weather, but I'm stripped to bikini, head forward I plow over sand into water, sand turns to mud and still I push ahead in in in to the lake, deep breath and dive.
Underwater it's blue and quiet. Not the shock of cold I expect. My hands fan out beside me and I'm up above the water, boats bobbing, and down again feet and hands moving slow, dreamspeed in the water, I'm not cold not shivering, I could stay out here in the quiet for an hour a day no-one would know Billy the mermaid, deep in the lake.
But then I notice I can't feel my feet.
Back to shore, mud then sand, feet coming to life like hibernating bears, shrieking up at me.
That day we started back, homeward. Freeways past the towns, who knows what each town is like, all have the same McDonald'sStarbucksBordersGap out here by the freeway, if there is a difference, it's tucked away where all the people live. We pull off the freeway for lunch, and a sign points to Town Centre, McDonald'sStarbucksBordersGap in fake Olde Time style, town itself miles away, safe out of sight.
We pass Folsom prison, and I hear the Man in Black singing the Blues about the train going by, but all I see is cars and the same stores over and over and churches as big as barns, as big as malls, as big as stadiums, the smaller the town the bigger the church, a cross the size of a landing strip on the side, Jehovah surely able to see it all the way from heaven.
And still I want to pull over, jump out of the car, bury my face in desert dirt and dream back to kidhood on Grandpa's ranch, potato bug rolled up in the palm of my hand, eggs hen-warm, hollyhocks knocking against each other in the wind.
But I know it wouldn't do, wouldn't come close, the smell of the road, the stripmalls, the churches too strong, so I put my seat back, and try to sleep.
Monday, September 19, 2005
Gentled
Friend Quigley, staying with us last week, wondered if his impression of San Francisco as a gentle city was skewed, having only seen the "nice" neighborhoods.
Tonight, waiting for the bus where paint curls off buildings, smell of decades-old cigarette smoke and mildew drifts from the corner cafe, a man with white hair to his shoulders waits with me, porkpie hat, hook for a hand clasps the strap of a duffel. A trim man walks by, suit so impeccably tailored it takes a minute to realize his legs are half the length of mine, he stands no higher than my ribs.
A finely built woman, dainty in a pink sweater, deep mahogany skin, ponytail, face of a man, walking quickly the other way.
Hipster taping flyers to the telephone pole, tattoo of ten arrows pointing away from a black center circle.
A man in a baby mohawk and combat boots, wide chin, broad shoulders.
The bus arrives, and mohawk and hipster move toward the door, but mohawk stops, arm out, blocking the hipster.
He nods gravely at me.
I move past him onto the bus, a dumbfounded Thankyou trickling from my mouth. I find a seat and the others climb aboard, hipster laughing and shaking his head, mohawk last, walking past me without a glance.
I finish the ride alert to this odd grace, and think Quigley's perception is right, there is something softer here, something gentle, a welcome for people who aren't at home where we grew up, a shared nostalgia for places that would never be ours, I can talk about us here and it sounds truer than it ever did, a community of unmatched puzzle pieces, we're remaking the picture every day.
Tonight, waiting for the bus where paint curls off buildings, smell of decades-old cigarette smoke and mildew drifts from the corner cafe, a man with white hair to his shoulders waits with me, porkpie hat, hook for a hand clasps the strap of a duffel. A trim man walks by, suit so impeccably tailored it takes a minute to realize his legs are half the length of mine, he stands no higher than my ribs.
A finely built woman, dainty in a pink sweater, deep mahogany skin, ponytail, face of a man, walking quickly the other way.
Hipster taping flyers to the telephone pole, tattoo of ten arrows pointing away from a black center circle.
A man in a baby mohawk and combat boots, wide chin, broad shoulders.
The bus arrives, and mohawk and hipster move toward the door, but mohawk stops, arm out, blocking the hipster.
He nods gravely at me.
I move past him onto the bus, a dumbfounded Thankyou trickling from my mouth. I find a seat and the others climb aboard, hipster laughing and shaking his head, mohawk last, walking past me without a glance.
I finish the ride alert to this odd grace, and think Quigley's perception is right, there is something softer here, something gentle, a welcome for people who aren't at home where we grew up, a shared nostalgia for places that would never be ours, I can talk about us here and it sounds truer than it ever did, a community of unmatched puzzle pieces, we're remaking the picture every day.
Sunday, September 18, 2005
Tag, I'm It
A slow-moving blogger gets tagged, courtesy of Joseph K.
So, to business.
Ten years ago. I had to look at my resume to refresh the old memory bank. Miserable in Seattle, though not yet in servitude to Microsoft, deliriously thrilled about going in to work every day in part because it got me away from the Thing I was living with, known here as Mr. 8-ball. I was beginning to wonder if being a grownup meant emotions were dampened, muffled, my last passions already tasted and gone, if adulthood meant a flattening out, nothing left anymore but Duty, Responsibility, Compromise.
I was wrong.
Five years ago, I was roaring through the desert in a Miata with Mr. Billy-to-be. After a day of driving, we would emerge from the dusty car jangled and wind-buzzed, giddy with adventure. One month before, we had gotten engaged, and two weeks before, we had quit our jobs in Seattle. We were trying to see as much land as possible before a) I went to a reunion in London, and b) we moved to Hawaii. Did we have jobs in Hawaii? No, we did not. Did we have a place to live? Nope. Who could wish for more?
One year ago. Note: squeamish readers may wish to skip this bit. Our fantasies come true, we'd been a year in San Francisco, blissful, Mr. Billy and I both working jobs we loved, in love with the city, still thrilling to all the things we'd missed in Hawaii, when something broke loose inside me and I started bleeding. Or rather, didn't stop bleeding as I should have after my regular period in August. By mid-September, I'd been bleeding for a month and starting to feel a little less solid, a little like I was standing on the border between this world and...something else. I gushed through October and November.
I remembered a roommate of mine, years ago, showing me his mother's journal. His father didn't believe in doctors, and she had started bleeding. The last word in her diary, before she died, was: "Gush."
A day or two after making Thanksgiving dinner for several friends, the bleeding became hemhorraging, and it was a long slide from there to emergency rooms, medications, transfusions and surgeries. After one minor surgery, one major, and one middling, I still don't know what it was all about, but the bleeding has stopped, there's nothing left in there to bleed.
Yesterday, our friend Quigley, staying with us for a few days, treated us to brunch in a neighborhood café before disappearing into a cab to the airport.
Five songs I know all the words to. Huh. This is not necessarily a list of songs I love, because I can never understand the words in songs. These are songs I had the liner notes for.
Elvis Costello, "Beyond Belief". Leonard Cohen, "Sisters of Mercy". "America" from West Side Story. "O Come O Come Emmanuel," 15th century French hymn, I think. "In Our Lovely Deseret," Mormon hymn.
I wish I knew all the words to a Clash song, but there it is.
Five snacks. Grapes, cheese (any kind), Trader Joe's multigrain crackers, chocolate (dark), the brains of virgins.
Five Things I'd Do With $100 Million. Lewis Black would pay an excellent salary to someone to be his personal ball-washer. As I don't have balls, I'm stumped. Pay someone to tell Joseph K every day that the supermodels he's dating are really into him. Make a platinum (gold is so eighties) statue of my cat, and hire a staff to worship it and evangelize for the new religion.
Build good, solid low-income housing in New Orleans.
How many is that? Oh, oh, yes. Buy a house in San Francisco. Only way that will happen.
Five places I'd run away to. That special little room in my head. No, you can't come in. My grandparents' ranch in southern Utah, the way it was when I was a kid. The treehouse my dad designed (not built - yet) for the woods on his land in Pennsylvania. Lisbon. Almost anywhere in Italy.
Five things I'd never wear. Those heels-that-look-like-tennis-shoes thingies. A tube top. Slacks, just because of the sound of the word. Slaaaacks. Shudder. "Nude" nylon stockings, actually a disturbing orangey color. One of those little American flag pins (I'm more patriotic than you. How come you don't have a flag pin, huh? Do you hate freedom?)
Five favorite TV shows. The Daily Show. Deadwood. The Sopranos. Six Feet Under. Off.
Five greatest joys. You know who you are. Finishing the book will be up there too, soon.
Five favorite toys. Hm, the pink one with the little vibrating...ooooh, you didn't mean those kinds of toys? Stumped again.
Five people to tag. If you've stuck with me through this whole ordeal: The monkeys, obviously. Yes, that means monkey 0, bluemonkey, and mommonkey (Jill). monkey 0 and bluemonkey, I know your blogs are mostly fiction, so feel free to fictionalize, if you must. Blondemonkey, once you get on the blogwagon, consider yourself tagged.
Oh, I'm drunk on the power! To round it out, I'm tagging both Anne and Anna.
You're It.
So, to business.
Ten years ago. I had to look at my resume to refresh the old memory bank. Miserable in Seattle, though not yet in servitude to Microsoft, deliriously thrilled about going in to work every day in part because it got me away from the Thing I was living with, known here as Mr. 8-ball. I was beginning to wonder if being a grownup meant emotions were dampened, muffled, my last passions already tasted and gone, if adulthood meant a flattening out, nothing left anymore but Duty, Responsibility, Compromise.
I was wrong.
Five years ago, I was roaring through the desert in a Miata with Mr. Billy-to-be. After a day of driving, we would emerge from the dusty car jangled and wind-buzzed, giddy with adventure. One month before, we had gotten engaged, and two weeks before, we had quit our jobs in Seattle. We were trying to see as much land as possible before a) I went to a reunion in London, and b) we moved to Hawaii. Did we have jobs in Hawaii? No, we did not. Did we have a place to live? Nope. Who could wish for more?
One year ago. Note: squeamish readers may wish to skip this bit. Our fantasies come true, we'd been a year in San Francisco, blissful, Mr. Billy and I both working jobs we loved, in love with the city, still thrilling to all the things we'd missed in Hawaii, when something broke loose inside me and I started bleeding. Or rather, didn't stop bleeding as I should have after my regular period in August. By mid-September, I'd been bleeding for a month and starting to feel a little less solid, a little like I was standing on the border between this world and...something else. I gushed through October and November.
I remembered a roommate of mine, years ago, showing me his mother's journal. His father didn't believe in doctors, and she had started bleeding. The last word in her diary, before she died, was: "Gush."
A day or two after making Thanksgiving dinner for several friends, the bleeding became hemhorraging, and it was a long slide from there to emergency rooms, medications, transfusions and surgeries. After one minor surgery, one major, and one middling, I still don't know what it was all about, but the bleeding has stopped, there's nothing left in there to bleed.
Yesterday, our friend Quigley, staying with us for a few days, treated us to brunch in a neighborhood café before disappearing into a cab to the airport.
Five songs I know all the words to. Huh. This is not necessarily a list of songs I love, because I can never understand the words in songs. These are songs I had the liner notes for.
Elvis Costello, "Beyond Belief". Leonard Cohen, "Sisters of Mercy". "America" from West Side Story. "O Come O Come Emmanuel," 15th century French hymn, I think. "In Our Lovely Deseret," Mormon hymn.
I wish I knew all the words to a Clash song, but there it is.
Five snacks. Grapes, cheese (any kind), Trader Joe's multigrain crackers, chocolate (dark), the brains of virgins.
Five Things I'd Do With $100 Million. Lewis Black would pay an excellent salary to someone to be his personal ball-washer. As I don't have balls, I'm stumped. Pay someone to tell Joseph K every day that the supermodels he's dating are really into him. Make a platinum (gold is so eighties) statue of my cat, and hire a staff to worship it and evangelize for the new religion.
Build good, solid low-income housing in New Orleans.
How many is that? Oh, oh, yes. Buy a house in San Francisco. Only way that will happen.
Five places I'd run away to. That special little room in my head. No, you can't come in. My grandparents' ranch in southern Utah, the way it was when I was a kid. The treehouse my dad designed (not built - yet) for the woods on his land in Pennsylvania. Lisbon. Almost anywhere in Italy.
Five things I'd never wear. Those heels-that-look-like-tennis-shoes thingies. A tube top. Slacks, just because of the sound of the word. Slaaaacks. Shudder. "Nude" nylon stockings, actually a disturbing orangey color. One of those little American flag pins (I'm more patriotic than you. How come you don't have a flag pin, huh? Do you hate freedom?)
Five favorite TV shows. The Daily Show. Deadwood. The Sopranos. Six Feet Under. Off.
Five greatest joys. You know who you are. Finishing the book will be up there too, soon.
Five favorite toys. Hm, the pink one with the little vibrating...ooooh, you didn't mean those kinds of toys? Stumped again.
Five people to tag. If you've stuck with me through this whole ordeal: The monkeys, obviously. Yes, that means monkey 0, bluemonkey, and mommonkey (Jill). monkey 0 and bluemonkey, I know your blogs are mostly fiction, so feel free to fictionalize, if you must. Blondemonkey, once you get on the blogwagon, consider yourself tagged.
Oh, I'm drunk on the power! To round it out, I'm tagging both Anne and Anna.
You're It.
Saturday, September 17, 2005
What Billy writes
This blog has clotted into three amorphous lumps, more or less fitting into one of three categories:
True stories. This shouldn't need any explanation. But what the hell, words are my world. It is what it sounds like - personal experiences - though if you're looking for confessional, look somewhere else. Revelation happens at the edges.
Found objects. The world outside my obsessive-compulsive brain - and more specifically San Francisco - drops these moments of grace and horror in my lap. I try to scrape a little of the flavor and press it between the pages here.
Scratch fiction. Fiction at the speed of typing. I go on about it here. It was born with monkey 0. Consider me an early adopter.
Please, read at your leisure, and comment liberally. I particularly look forward to rude comments.
True stories. This shouldn't need any explanation. But what the hell, words are my world. It is what it sounds like - personal experiences - though if you're looking for confessional, look somewhere else. Revelation happens at the edges.
Found objects. The world outside my obsessive-compulsive brain - and more specifically San Francisco - drops these moments of grace and horror in my lap. I try to scrape a little of the flavor and press it between the pages here.
Scratch fiction. Fiction at the speed of typing. I go on about it here. It was born with monkey 0. Consider me an early adopter.
Please, read at your leisure, and comment liberally. I particularly look forward to rude comments.
Thursday, September 15, 2005
Into the blue
"This is Puny Human territory," I say to Mr. Billy, car careering around the bend, four-wheel drift toward the car-size gap in the guard rail, torn metal edges hanging over the void, I can't help images flickering across brainscreen of Mr. Billy and I in our metal box, hurtling end-over-end, whistling air broken by crunch against cliff wall once, twice, three times before slamming to rest at the bottom of the gorge, our meat mixed with metal and glass, buzzards circling.
Rocks the size of semis hang above, crags and trees below, and ahead, spread out like a centerfold, deep blue of Lake Tahoe, twinkling at us, lolling in the late afternoon sun.
We are sharing a condo with old friends Punkin* and Blueberry*. Mr. Billy & I get the loft bedroom, no door, but a shallow window that peeks out at the parking lot. Downstairs off the living room is a deck that juts out over the beachy shores of the lake, and a voyeuristic view of the hotel swimming pool and jacuzzi.
It's late when we set out for dinner, Punkin at the wheel casually telling us, as he misses another turn, that his night vision is "for shit", we blast out into the night, pointed toward the state line, $8.95 prime rib dinner sounds good to me.
We open the doors of the casino, wary of lizards, that homey casino aroma of stale cigarette smoke and alcohol-soaked carpets wafts into our faces. I am weepy with nostalgia.
Tahoe casinos are Vegas without the glamour, the class. The machine clamour muted and sad. Greasy-haired white folk hunch over slot machines, yanking methodically, prayers on their nicotine-stained lips, "Thistimethistime, baby, giveittome baby giveittome." It's weirdly quiet, slot claxons muffled, no dinging bells, no coin clatter heralding a win anywhere on the floor.
Punkin veers toward the machines, quarters shining ready in his fingers, but Blueberry isn't having it, she speeds up her pace, beeline for the restaurant, and we stick at her side. I've always thought that being born in Vegas immunized me against the desire to gamble, softly glowing machines holding no promise, no seduction for me. Punkin is squinting at the slots as we pass, "One of these has to take quarters, c'mon honey, just three quarters, that's all," but we're already at the feeding place and Blueberry pulls open the doors.
She scans the scene, greenish-hued humans crank their eyes up at us, then back down to their heaped, glistening plates, poking dispiritedly at the brown mess collected there.
"No," says Blueberry, "we aren't eating here." Punkin has caught up with us and he nods in agreement, his appetite for prime rib and slots slackening in equal measure. We turn on the spot, back through the casino, down the stairs, past the two-story high stone fireplace, me casting one look backwards, if I were Lot's wife, I'd be a pillar of salt, and out into the night.
To be continued...
*Names changed to protect innocent friends who did not know their vacation would be Material.
Rocks the size of semis hang above, crags and trees below, and ahead, spread out like a centerfold, deep blue of Lake Tahoe, twinkling at us, lolling in the late afternoon sun.
We are sharing a condo with old friends Punkin* and Blueberry*. Mr. Billy & I get the loft bedroom, no door, but a shallow window that peeks out at the parking lot. Downstairs off the living room is a deck that juts out over the beachy shores of the lake, and a voyeuristic view of the hotel swimming pool and jacuzzi.
It's late when we set out for dinner, Punkin at the wheel casually telling us, as he misses another turn, that his night vision is "for shit", we blast out into the night, pointed toward the state line, $8.95 prime rib dinner sounds good to me.
We open the doors of the casino, wary of lizards, that homey casino aroma of stale cigarette smoke and alcohol-soaked carpets wafts into our faces. I am weepy with nostalgia.
Tahoe casinos are Vegas without the glamour, the class. The machine clamour muted and sad. Greasy-haired white folk hunch over slot machines, yanking methodically, prayers on their nicotine-stained lips, "Thistimethistime, baby, giveittome baby giveittome." It's weirdly quiet, slot claxons muffled, no dinging bells, no coin clatter heralding a win anywhere on the floor.
Punkin veers toward the machines, quarters shining ready in his fingers, but Blueberry isn't having it, she speeds up her pace, beeline for the restaurant, and we stick at her side. I've always thought that being born in Vegas immunized me against the desire to gamble, softly glowing machines holding no promise, no seduction for me. Punkin is squinting at the slots as we pass, "One of these has to take quarters, c'mon honey, just three quarters, that's all," but we're already at the feeding place and Blueberry pulls open the doors.
She scans the scene, greenish-hued humans crank their eyes up at us, then back down to their heaped, glistening plates, poking dispiritedly at the brown mess collected there.
"No," says Blueberry, "we aren't eating here." Punkin has caught up with us and he nods in agreement, his appetite for prime rib and slots slackening in equal measure. We turn on the spot, back through the casino, down the stairs, past the two-story high stone fireplace, me casting one look backwards, if I were Lot's wife, I'd be a pillar of salt, and out into the night.
To be continued...
*Names changed to protect innocent friends who did not know their vacation would be Material.
Sunday, September 11, 2005
Billy heads inland
I decamp for the shores of Lake Tahoe tomorrow morning. This isn't really our vacation, we're just piggy-backing on friends' plans, so I've no idea where we're staying, what's planned, anything, really. You, kind readers, now know as much as I about my immediate future. Never been to Tahoe before (though I was born in Nevada), so, hey! anything could happen.
I expect to be out of blogrange while away, but hold out hope for good material.
Until I return...
I expect to be out of blogrange while away, but hold out hope for good material.
Until I return...
Wednesday, September 07, 2005
I am seven years old
...and still afraid of the dark.
I know this: while occasionally seduced by a good ad campaign, I almost never think it was a good idea after I see a horror movie. So I try to resist (yes, I'm The Person ads are aimed at; I see something shiny on the little box with the nice people in it, & I think, God, yes, I never knew it, but I do need Spray-on Hair), I do. I haven't seen a horror movie since a friend rented The Ring, and I didn't sleep properly for over a week.
But there was this commercial on last night (oh, those gorgeous people in the little box, they are so convincing), for this new horror movie, something terribly stylish and gothic, all shot in deep sensual shades of gray, a beautiful heroine so poignantly suffering, things half-seen, temptingly, and I'm sucked in, I'm there, I'm thinking, yeah, yeah, let's go see that movie - never mind I haven't been to a movie in months and months, never mind that I don't know how to un-suspend my disbelief, that horror movies get under my skin, that there are images seen when I was nine burned onto my brainscreen that still freak me out, no, let's go to that one, yes, as soon as possible - and then, just at the tail end of the ad, a couple walking down the street with an umbrella, they look toward the camera, and then, and then, their faces melt, jaws and eyes gaping hideously open.
Aaaaaaah! Aaaaaaah! What is this doing on my television!? No no no no no, it was just an ad, for Chrissakes, you can't be putting images like that into my head with an ad!
Last night, getting up to go to the bathroom (a depressingly frequent exercise), brain in that soft, half-sleeping state...and that image, that stupid image, seeps into my head, gaping mouth, goggle eyes. I'm awake all the way, now, and talking myself down, think about something good, something pleasant, think about work, think about kittens, think about anything, but now I'm rushing through the hand-washing, now running flat-out back to bed, now climbing in next to Mr. Billy, shaking.
Why is this getting to me (and tonight I made Mr. Billy - a Media Professional - pull apart the image and explain to me how he think they did it, and Really, he says, It was kinda cheesy and cheaply done), why this one stupid, fucking, studio-created image, when there are real-life, real world horrors happening in my own country?
I know this: while occasionally seduced by a good ad campaign, I almost never think it was a good idea after I see a horror movie. So I try to resist (yes, I'm The Person ads are aimed at; I see something shiny on the little box with the nice people in it, & I think, God, yes, I never knew it, but I do need Spray-on Hair), I do. I haven't seen a horror movie since a friend rented The Ring, and I didn't sleep properly for over a week.
But there was this commercial on last night (oh, those gorgeous people in the little box, they are so convincing), for this new horror movie, something terribly stylish and gothic, all shot in deep sensual shades of gray, a beautiful heroine so poignantly suffering, things half-seen, temptingly, and I'm sucked in, I'm there, I'm thinking, yeah, yeah, let's go see that movie - never mind I haven't been to a movie in months and months, never mind that I don't know how to un-suspend my disbelief, that horror movies get under my skin, that there are images seen when I was nine burned onto my brainscreen that still freak me out, no, let's go to that one, yes, as soon as possible - and then, just at the tail end of the ad, a couple walking down the street with an umbrella, they look toward the camera, and then, and then, their faces melt, jaws and eyes gaping hideously open.
Aaaaaaah! Aaaaaaah! What is this doing on my television!? No no no no no, it was just an ad, for Chrissakes, you can't be putting images like that into my head with an ad!
Last night, getting up to go to the bathroom (a depressingly frequent exercise), brain in that soft, half-sleeping state...and that image, that stupid image, seeps into my head, gaping mouth, goggle eyes. I'm awake all the way, now, and talking myself down, think about something good, something pleasant, think about work, think about kittens, think about anything, but now I'm rushing through the hand-washing, now running flat-out back to bed, now climbing in next to Mr. Billy, shaking.
Why is this getting to me (and tonight I made Mr. Billy - a Media Professional - pull apart the image and explain to me how he think they did it, and Really, he says, It was kinda cheesy and cheaply done), why this one stupid, fucking, studio-created image, when there are real-life, real world horrors happening in my own country?
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