Time for some scratch fiction. Consider this a topic tag, too. If anyone wants to write on ESL - go! Let me know in the comments and I'll link to your story.
"Oh, my. Yes, it really looked so, um...he looked...what's the word..."
Eleanor tried to describe what she saw in her head with her hands, circling them around her head. Doug's boss nodded, smiling, a tiny clump of lipstick clinging to her front tooth. Doug's boss turned to answer somebody else's question and Doug squeezed Eleanor's knee under the table.
Eleanor was to be her best tonight. Charming. Brilliant. Dazzling. Doug's first dinner with the new company and she was on display.
But it chewed at her brain, while she sipped her wine. What was the word? She could see it, the man she was describing, backpack and coffe cup in one hand, books in another, reaching for his ringing cell phone. She saw it, but she couldn't think of the word to sum it up. Not silly. Not ridiculous. For some reason her brain threw up the plays of Samuel Becket, Ionesco. Waiting for Godot. Rhinoceros. What was it what was it?
Eleanor worked with words for a living. She didn't like to see one escape, a raw-muscled fish wriggling from her grasp.
"That's a lovely necklace," Doug's boss was talking to her again, "where did it come from?"
Eleanor touched her throat. "Thank you, it was a..." oh good lord you know this word, opening the wrapping, tied up in a ribbon..."um...from my mother." say something nice back, "your..." shit. Thing, the thing you wear to a formal dinner, Eleanor lightly touched Doug's boss' collar - was that strange? "...beautiful."
Doug's boss beamed. She touched her own collar, and started talking, and the words came from her mouth but seemed to drift somehow before they reached Eleanor's ears. What language was she speaking?
Doug spoke from Eleanor's side, the words colliding and cascading in front of Eleanor's eyes. It's like I'm forgetting my language, thought Eleanor, seeing foreign people sitting in a classroom, practicing words, what is it, what is my language called?
Eleanor smiled and nodded, watching the words pop out of Doug's boss' mouth like fat grapes, like shining ornaments, like puffs of flame, they lit up the room. Eleanor smiled at Doug, seeing images of him at his desk, Doug knocking on his boss' door, his eyes on his boss, his boss reaching across her desk to touch his arm once, twice, more, but she doesn't think "boss" "desk" "arm," she sees him, she sees her, she sees more than she's ever seen, more than she could wish.
Doug's boss turns to Eleanor and pushes out words that make a question, looking at Eleanor, but her breasts are looking at Doug and Eleanor opens her mouth, then closes it and smiles.
"Your wife is such a good listener," says Doug's boss, but Eleanor only sees the bright baubles falling from Doug's boss' mouth, her breasts looking at Doug and her thighs open and Doug and his cock nodding, nodding to his boss.
Showing posts with label scratch fiction. Show all posts
Showing posts with label scratch fiction. Show all posts
Wednesday, November 07, 2007
Wednesday, July 18, 2007
Chuck looked like a thumb today
Waaay out of practice with the scratch fiction. Topic tag courtesy of monkey 0.
"No no no, it's really easy. You get a box like this, see? And you put a light inside."
"Right, they're attracted to light."
"And some bait. That's all it takes. Once you have enough in there, you drop the gate, and..."
Chuck jumped at the sound of the security gate slamming down, high-speed. "What the fuck?"
The chick over by the Twinkies jerked her head around to look at him, ponytail swooshing over one shoulder.
"Hello?" The dude had to be around here somewhere. "Um, guy? Anybody work here?"
Steve and Fayed appeared from the back of the store, Fayed humping a case of Miller. "What's with the gate?"
"Oh, dude, Miller? We can do better than that."
Fayed shrugged. "Is there like a fire or something? Maybe someone tripped a security switch."
Chuck looked over at the girl. She rolled her eyes like why-the-fuck-should-I-know. She put the Twinkies back on the shelf and pursed her lips. "Any of you work here?"
Chuck shook his head for the three of them.
"Yeah," said the chick. She shouldered past Chuck to get behind the counter and picked up the phone.
"Line's dead."
"You're shitting me."
She held the phone out to him, an exasperated sound popping out from between her lips. Short fuse. But that wasn't exactly a minus where Chuck was concerned. Especially not looking like that, all pissed.
Damn, thought Chuck. I look like a thumb today. Flesh-colored t-shirt and freshly shaved head. She must think I'm some kind of obscene joke.
Fayed was still holding onto the beer. Dipshit. "Put the beer down, Fed. Check and see if there's anyone in the bathroom."
Chuck turned back to the girl. Be still my heart, he thought. "Anything back there look like a control for the gate?"
She was searching around behind the counter, lovely brows shoved together in concentration. Fayed was walking back from the bathrooms, hands open. Nothing.
Steve ran over to the gate and started pounding. "Hey! People in here! HEY!"
"What's that thing?"
"Slushie machine. You have one of those, some beer, Funyons, you can get ten, fifteen in an hour, easy."
It took a while to calm Steve down. The idiot left Chuck's cell phone back at the place. And the chick - her name was Brenda - hers wasn't getting any signal. Shitty provider. She sat with her back against the counter playing with the ends of her hair. Her jeans held nice and tight around her ass, smooth neck lifting out of the collar of her sweater. Chuck imagined kissing her just below her earlobe, the down on her neck soft as kitten fur on his lips.
"Hey, they got playing cards here," Fayed held up a pack. Brenda shot him a look like no way in hell, but what else did they have to do? She lifted one shoulder and looked away while he shuffled.
A little too early to suggest strip poker, thought Chuck.
"They're just sitting around. They're not doing anything."
"Shake the box around some. That usually gets them all riled. Watch."
"No no no, it's really easy. You get a box like this, see? And you put a light inside."
"Right, they're attracted to light."
"And some bait. That's all it takes. Once you have enough in there, you drop the gate, and..."
Chuck jumped at the sound of the security gate slamming down, high-speed. "What the fuck?"
The chick over by the Twinkies jerked her head around to look at him, ponytail swooshing over one shoulder.
"Hello?" The dude had to be around here somewhere. "Um, guy? Anybody work here?"
Steve and Fayed appeared from the back of the store, Fayed humping a case of Miller. "What's with the gate?"
"Oh, dude, Miller? We can do better than that."
Fayed shrugged. "Is there like a fire or something? Maybe someone tripped a security switch."
Chuck looked over at the girl. She rolled her eyes like why-the-fuck-should-I-know. She put the Twinkies back on the shelf and pursed her lips. "Any of you work here?"
Chuck shook his head for the three of them.
"Yeah," said the chick. She shouldered past Chuck to get behind the counter and picked up the phone.
"Line's dead."
"You're shitting me."
She held the phone out to him, an exasperated sound popping out from between her lips. Short fuse. But that wasn't exactly a minus where Chuck was concerned. Especially not looking like that, all pissed.
Damn, thought Chuck. I look like a thumb today. Flesh-colored t-shirt and freshly shaved head. She must think I'm some kind of obscene joke.
Fayed was still holding onto the beer. Dipshit. "Put the beer down, Fed. Check and see if there's anyone in the bathroom."
Chuck turned back to the girl. Be still my heart, he thought. "Anything back there look like a control for the gate?"
She was searching around behind the counter, lovely brows shoved together in concentration. Fayed was walking back from the bathrooms, hands open. Nothing.
Steve ran over to the gate and started pounding. "Hey! People in here! HEY!"
"What's that thing?"
"Slushie machine. You have one of those, some beer, Funyons, you can get ten, fifteen in an hour, easy."
It took a while to calm Steve down. The idiot left Chuck's cell phone back at the place. And the chick - her name was Brenda - hers wasn't getting any signal. Shitty provider. She sat with her back against the counter playing with the ends of her hair. Her jeans held nice and tight around her ass, smooth neck lifting out of the collar of her sweater. Chuck imagined kissing her just below her earlobe, the down on her neck soft as kitten fur on his lips.
"Hey, they got playing cards here," Fayed held up a pack. Brenda shot him a look like no way in hell, but what else did they have to do? She lifted one shoulder and looked away while he shuffled.
A little too early to suggest strip poker, thought Chuck.
"They're just sitting around. They're not doing anything."
"Shake the box around some. That usually gets them all riled. Watch."
Sunday, February 18, 2007
Audience participation - story circle
(Updated below; updated again)
I used to play a game when I was growing up, but I never knew the name of it. The game went like this: the players sit in a circle, and one player begins a story. They can talk for as long as they like, and stop wherever they like. The person beside them in the circle then has to pick up the story where the previous player left off. Anybody can finish the story anytime they like.
Yeah, I know, not a lot of rules. But some interesting stories grew out of it. I still don't know what it's called, so I'm calling it (with my talent for the obvious) Story Circle.
Today I'm proposing a blog version of the game. I'm going to begin a story. You, my dear and kind readers, are invited to continue it on your own blogs. There are a few rules for this one:
Am I being a shameless whore for comments and readers? Yes, yes I am. Am I being lazy because I have the beginning of a story but not an end? Guilty. But you know you want to play, so sharpen your pencils, class, and see what you can do with this:
Ballerino
The ballet dancer who lives in the flat above mine is home. I know he's a ballet dancer 'cause he told me so the day I moved in. He said it in an offhand kinda way, like he was just letting me know so I wouldn't wonder about his weird schedule, but I think really he was showing off, like he was still new at it and wanted the whole neighborhood to know.
I know he's home because he's the noisiest neighbor I've ever had. I don't really have any reason to doubt he's a ballet dancer - he's built like one, with all those finely developed muscles, and I guess he's gay - but I kinda thought ballet dancers were supposed to be light on their feet. This guy's not very big, but he sounds like a freakin' gorilla up there.
Usually I ignore it, but tonight I can tell I'm gonna have to do something about it. The girl sitting on my couch keeps looking up at the ceiling, all annoyed. Not like I can blame her. He's outdoing himself tonight. Like he's throwing steamer trunks full of hammers at the wall, over and over.
I'll have to go up there if I want to get anywhere with this chick. Mara. She's ready, too, if Twinkletoes up there will just take a breather. A glass of wine in her hand and that skirt inching up her thigh. I've been dreaming about Mara for weeks now. Okay, months. So I'm not gonna let the drum circle upstairs screw things up for me.
I tell her I'll be right back, and kiss her real lightly on the cheek. I take another look at her as I back out the door. I can't believe she's sitting on my couch. I head up the stairs, the rhythm party in full swing up there. On the third step, the stair creaks, and all the noise stops. Sorry to harsh your buzz, man, but I got Mara waiting for me. I get up to the door and knock.
Suzanne picks up the story: stompin' trompin' drum-circle frenzy
King Mongo circles in: the discomforting touch of nothing
LynnP goes deep: A freight-train rush of desire
A different branch, courtesy of monkey0: off the road and into the Salt Flats
I used to play a game when I was growing up, but I never knew the name of it. The game went like this: the players sit in a circle, and one player begins a story. They can talk for as long as they like, and stop wherever they like. The person beside them in the circle then has to pick up the story where the previous player left off. Anybody can finish the story anytime they like.
Yeah, I know, not a lot of rules. But some interesting stories grew out of it. I still don't know what it's called, so I'm calling it (with my talent for the obvious) Story Circle.
Today I'm proposing a blog version of the game. I'm going to begin a story. You, my dear and kind readers, are invited to continue it on your own blogs. There are a few rules for this one:
- Leave a comment letting me know that you have continued the story, and I'll post a link to your continuation.
- You may either pick up where I leave off, or pick up after another blogger's continuation. This means that the story could have several branches.
- Your piece of the story must pick up exactly where someone else's left off. Ideally, the first line of your story will repeat the last line of the previous piece.
- You can change the style, voice, mood, whatever you like, and you can end the story if you like, or leave it hanging for the next blogger to pick up.
- You can invite your own readers to participate. The more players, the more interesting it will be.
Am I being a shameless whore for comments and readers? Yes, yes I am. Am I being lazy because I have the beginning of a story but not an end? Guilty. But you know you want to play, so sharpen your pencils, class, and see what you can do with this:
Ballerino
The ballet dancer who lives in the flat above mine is home. I know he's a ballet dancer 'cause he told me so the day I moved in. He said it in an offhand kinda way, like he was just letting me know so I wouldn't wonder about his weird schedule, but I think really he was showing off, like he was still new at it and wanted the whole neighborhood to know.
I know he's home because he's the noisiest neighbor I've ever had. I don't really have any reason to doubt he's a ballet dancer - he's built like one, with all those finely developed muscles, and I guess he's gay - but I kinda thought ballet dancers were supposed to be light on their feet. This guy's not very big, but he sounds like a freakin' gorilla up there.
Usually I ignore it, but tonight I can tell I'm gonna have to do something about it. The girl sitting on my couch keeps looking up at the ceiling, all annoyed. Not like I can blame her. He's outdoing himself tonight. Like he's throwing steamer trunks full of hammers at the wall, over and over.
I'll have to go up there if I want to get anywhere with this chick. Mara. She's ready, too, if Twinkletoes up there will just take a breather. A glass of wine in her hand and that skirt inching up her thigh. I've been dreaming about Mara for weeks now. Okay, months. So I'm not gonna let the drum circle upstairs screw things up for me.
I tell her I'll be right back, and kiss her real lightly on the cheek. I take another look at her as I back out the door. I can't believe she's sitting on my couch. I head up the stairs, the rhythm party in full swing up there. On the third step, the stair creaks, and all the noise stops. Sorry to harsh your buzz, man, but I got Mara waiting for me. I get up to the door and knock.
Suzanne picks up the story: stompin' trompin' drum-circle frenzy
King Mongo circles in: the discomforting touch of nothing
LynnP goes deep: A freight-train rush of desire
A different branch, courtesy of monkey0: off the road and into the Salt Flats
Saturday, December 09, 2006
Pink coat
(It's been far too long since I've exercised my scratch fiction muscles.)
Her face was delicate; small nose, fine lines around her eyes. Filigree earrings dropped from dainty earlobes, a tiny pearl suspended, quivering. Her body seemed to belong to someone else, grossly overweight beneath her petal-pink coat, tiny feet planted wide to balance all those pounds tossed back and forth with the lurching of the bus.
Rom couldn't look away. There was something morbidly fascinating about her, as though her body had swelled suddenly, while she was looking the other way; her face, lips pink and soft, was plainly used to admiration.
When she moved toward the door at her stop, Rom felt himself pulled after. If someone had asked him why, he wouldn't have been able to say. It was dinnertime, he should be on his way home, just three more stops on this line, but even as he thought it, following this woman around the corner, her weight shifting ponderously from foot to foot in the cow-like shuffle of the obese, even as he thought of his wife glancing at the clock while she dialled their favorite Chinese takeout, he knew it was too late. He wouldn't be home in time for dinner.
The woman turned her head, her strawberry blond hair swept gracefully back, and tossed him a flirtatious glance before disappearing behind a new townhouse, into an empty lot.
Rom followed, the clash of traffic in the street behind dipping into silence, he could still make out the glimmer of pink in the dark ahead, this lot larger than it seemed from the street, stretching deep between blind, windowless buildings on either side, the sky boxed in as they seemed to grow taller, Rom stumbling now on gravel, the ground cold, even through the soles of his Timberlands.
A voice whispered, almost inaudible, pushing out from the dark at his shoulder, "What is it you want?"
Her voice as meltingly sweet as her face.
"Do you know?" she asked, Rom turning now to face her.
"Is it this?" she asked, unbuttoning her pink coat, Rom feeling a sudden shame, a sickness at the thought of her body, while, like a separate being, his cock stirred.
Rom stood, dumbly, his hands at his sides, while she pulled open her coat, light pouring out from inside, blinding him, the last thing he remembered the distant sound of ocean waves, the call of seagulls.
Her face was delicate; small nose, fine lines around her eyes. Filigree earrings dropped from dainty earlobes, a tiny pearl suspended, quivering. Her body seemed to belong to someone else, grossly overweight beneath her petal-pink coat, tiny feet planted wide to balance all those pounds tossed back and forth with the lurching of the bus.
Rom couldn't look away. There was something morbidly fascinating about her, as though her body had swelled suddenly, while she was looking the other way; her face, lips pink and soft, was plainly used to admiration.
When she moved toward the door at her stop, Rom felt himself pulled after. If someone had asked him why, he wouldn't have been able to say. It was dinnertime, he should be on his way home, just three more stops on this line, but even as he thought it, following this woman around the corner, her weight shifting ponderously from foot to foot in the cow-like shuffle of the obese, even as he thought of his wife glancing at the clock while she dialled their favorite Chinese takeout, he knew it was too late. He wouldn't be home in time for dinner.
The woman turned her head, her strawberry blond hair swept gracefully back, and tossed him a flirtatious glance before disappearing behind a new townhouse, into an empty lot.
Rom followed, the clash of traffic in the street behind dipping into silence, he could still make out the glimmer of pink in the dark ahead, this lot larger than it seemed from the street, stretching deep between blind, windowless buildings on either side, the sky boxed in as they seemed to grow taller, Rom stumbling now on gravel, the ground cold, even through the soles of his Timberlands.
A voice whispered, almost inaudible, pushing out from the dark at his shoulder, "What is it you want?"
Her voice as meltingly sweet as her face.
"Do you know?" she asked, Rom turning now to face her.
"Is it this?" she asked, unbuttoning her pink coat, Rom feeling a sudden shame, a sickness at the thought of her body, while, like a separate being, his cock stirred.
Rom stood, dumbly, his hands at his sides, while she pulled open her coat, light pouring out from inside, blinding him, the last thing he remembered the distant sound of ocean waves, the call of seagulls.
Sunday, June 11, 2006
Buddha
We can see sunlight cresting over the Buddha's knee, rays picking their way through kitchen windows, tea on to boil, kids moving softly to the table, hair standing up in pillow-rubbed clumps.
The kids run out ahead after breakfast, tagging each other, bare feet slapping stone, voices ringing back from whitewashed walls. We hang back, our hands full with buckets and brushes and rags, taking the time to talk, squinting up at the sun, while we are still shoulder-to-shoulder within the village; once we come to the grassy edge, we'll fan out, taking up our places along the Buddha's leg.
Our village shelters under his right knee; my family, as far back as memory goes, has had charge of the Buddha's left foot, tucked lotus-wise in the crook of the knee. We are finishing the gold leaf on his big toe a little before solstice this year. A full week to rest before starting again at the heel, where the shine is already dulled, the delicate lapis scrollwork begun last year losing its crisp edges.
The sun is straight overhead when I unpack our lunch. We mimic the Buddha's posture, sitting down cross-legged to eat, looking out across the plain to see his finger coming down to meet the earth; the Buddha forever at the moment of enlightenment, hovering a second before touching earth to let creation know of his epiphany.
This is my last season here. I'm marrying age now, and have to travel to another village to find a spouse. I'll seek out the people in the left knee, or maybe the hand; the villages higher up the mountain seem to have forgotten their work. Even from here we can see patches of neglect along his shoulders, our foot far outshining his face. What little we hear from them tells of a whole different world, of people who don't even know they live on the Buddha's shoulder. They keep the gold and lapis for themselves, stealing from each other, painting their houses and clothes instead.
Nobody remembers who first built the earthworks Buddha, the center of our world. They were our ancestors, working with clay rather than paint. The villages were closer in those days, they worked together, people passing easily from village to village as among family. My own grandfather came from upcountry in better days, wrinkles deepening between his eyes when he looks up at the worn face of our Buddha.
I know he wants me to go up there, bring the old, quiet ways back to them, but I'm only one person, who would listen to me?
So was the Buddha, says my grandfather, his brows casting shadows over his eyes, You don't know what you can do until you've tried.
The kids run out ahead after breakfast, tagging each other, bare feet slapping stone, voices ringing back from whitewashed walls. We hang back, our hands full with buckets and brushes and rags, taking the time to talk, squinting up at the sun, while we are still shoulder-to-shoulder within the village; once we come to the grassy edge, we'll fan out, taking up our places along the Buddha's leg.
Our village shelters under his right knee; my family, as far back as memory goes, has had charge of the Buddha's left foot, tucked lotus-wise in the crook of the knee. We are finishing the gold leaf on his big toe a little before solstice this year. A full week to rest before starting again at the heel, where the shine is already dulled, the delicate lapis scrollwork begun last year losing its crisp edges.
The sun is straight overhead when I unpack our lunch. We mimic the Buddha's posture, sitting down cross-legged to eat, looking out across the plain to see his finger coming down to meet the earth; the Buddha forever at the moment of enlightenment, hovering a second before touching earth to let creation know of his epiphany.
This is my last season here. I'm marrying age now, and have to travel to another village to find a spouse. I'll seek out the people in the left knee, or maybe the hand; the villages higher up the mountain seem to have forgotten their work. Even from here we can see patches of neglect along his shoulders, our foot far outshining his face. What little we hear from them tells of a whole different world, of people who don't even know they live on the Buddha's shoulder. They keep the gold and lapis for themselves, stealing from each other, painting their houses and clothes instead.
Nobody remembers who first built the earthworks Buddha, the center of our world. They were our ancestors, working with clay rather than paint. The villages were closer in those days, they worked together, people passing easily from village to village as among family. My own grandfather came from upcountry in better days, wrinkles deepening between his eyes when he looks up at the worn face of our Buddha.
I know he wants me to go up there, bring the old, quiet ways back to them, but I'm only one person, who would listen to me?
So was the Buddha, says my grandfather, his brows casting shadows over his eyes, You don't know what you can do until you've tried.
Friday, May 19, 2006
Catfish
Scratch fiction topic courtesy of my boss. No, really.
Fredo slid the fish onto the pan, clash and sizzle, smoke rising to the kitchen ceiling.
"Only way to do catfish, man. Breading's my own recipe."
"Didn't know you cooked," said Barney, popping the top on another beer, slurping the foam that bubbled up from the lip, then sucking the ends of his moustache.
"Catfish ain't 'cooking,' it's just eating what you caught, man." Fredo plopped a plate in front of Barney, steaming fish lying across it like a body in the street.
"How'm I supposed to eat this?"
"With a fork, dumbass." Fredo had a tea towel over one shoulder, moving around the kitchen, slamming drawers and rattling spoons.
Barney'd never seen him like this. Normally Fredo moved slow and quiet, eyes half-lidded, answering questions in his own sweet time. But ever since this afternoon, since they were taking shots at the target out back of the cabin, Barney able to hit the bullseye at 300 yards with his Dad's old shotgun, God only knew where Fredo's shots went, but they sure as hell weren't going into the target.
"You having any?" Barney asked.
Fredo just kept shuffling things around in the kitchen and didn't answer, Jesus, he was as bad as Barney's wife, what bit him in the ass, thought Barney, before tucking in, the fish hot as a furnace, but the breading was heaven, grease running off onto the cracked plate. Barney got going, it was amazing, he'd never had fish like this before, just kept shoving it in and shoving it in until he felt something sharp hit the back of his throat.
Barney couldn't breathe. He looked up at Fredo, but he couldn't even get out enough air to make a sound, he felt heat building up behind his eyes, and finally Fredo looked around from where he was standing at the sink, Fredo saw him, Fredo would give him the heimlich or something, Fredo could fix it.
But Fredo had slowed down again, eyes lidding down, smile creeping up his face.
"Watch out for the bones, Sharpshooter," said Fredo.
Fredo slid the fish onto the pan, clash and sizzle, smoke rising to the kitchen ceiling.
"Only way to do catfish, man. Breading's my own recipe."
"Didn't know you cooked," said Barney, popping the top on another beer, slurping the foam that bubbled up from the lip, then sucking the ends of his moustache.
"Catfish ain't 'cooking,' it's just eating what you caught, man." Fredo plopped a plate in front of Barney, steaming fish lying across it like a body in the street.
"How'm I supposed to eat this?"
"With a fork, dumbass." Fredo had a tea towel over one shoulder, moving around the kitchen, slamming drawers and rattling spoons.
Barney'd never seen him like this. Normally Fredo moved slow and quiet, eyes half-lidded, answering questions in his own sweet time. But ever since this afternoon, since they were taking shots at the target out back of the cabin, Barney able to hit the bullseye at 300 yards with his Dad's old shotgun, God only knew where Fredo's shots went, but they sure as hell weren't going into the target.
"You having any?" Barney asked.
Fredo just kept shuffling things around in the kitchen and didn't answer, Jesus, he was as bad as Barney's wife, what bit him in the ass, thought Barney, before tucking in, the fish hot as a furnace, but the breading was heaven, grease running off onto the cracked plate. Barney got going, it was amazing, he'd never had fish like this before, just kept shoving it in and shoving it in until he felt something sharp hit the back of his throat.
Barney couldn't breathe. He looked up at Fredo, but he couldn't even get out enough air to make a sound, he felt heat building up behind his eyes, and finally Fredo looked around from where he was standing at the sink, Fredo saw him, Fredo would give him the heimlich or something, Fredo could fix it.
But Fredo had slowed down again, eyes lidding down, smile creeping up his face.
"Watch out for the bones, Sharpshooter," said Fredo.
Tuesday, May 16, 2006
White hands
Scratch fiction topic tag: Frank
He looked an upright man. Frank fastened his collar, trying a smile in the mirror. Not the slow smile he wore at at night, walking softly into the woods, down past the Stankas farm, looking out for the glow of her white skin against the tree trunks. This was the smile of a young Bible scholar, a public smile, wise and open.
Frank looped his tie over, mouthing his speech silently into the mirror. People would stop on the street to listen, he was sure. He levelled his own gaze at his reflection: he had it just right, a perfect note of friendly compulsion.
Frank stood on the street corner, elevated on an apple crate, Bible in one hand. The workday ending, buildings vomiting out their collection of lost and broken humans. Frank raised the hand holding the Good Book, and opened his mouth to speak.
Years later, people would remember that day. A secretary told her daughter how his hair shone in the dying sunlight, how his face seemed lit from inside. She was late getting home, but she had to stop, as though she had lost the reins of her own body, slowly her head turned to listen. A banker gave up his job that day and became a minister, for the rest of his life telling his flock about the man holding the Bible above his head, how his words burned to the center of the banker's soul, reducing his former life to ashes in an instant. The janitor on his way to clean the school felt the young man's voice pull away all of his artifice; he stood naked at the feet of the man on the apple crate, his sins exposed. Naked, the janitor moved closer to the the man, warming himself in the flame of righteousness.
It was dark when Frank got home, apple crate in one hand, Bible in the other. He felt light and empty as a toy balloon. He would tell her everything, how hundreds of faces turned up to drink him in, how a streetful of strangers worshipped at his feet.
Frank slipped past the tree with the rope swing, the corn house, the barn, trailing his hand across the rough stones of the wall bordering the Stankas farm. The blueberries were ripe, hanging heavy over the wall; Frank took a handful to offer her.
He saw her through the trees, white hands moving in the dark, white neck bent, she danced to music he couldn't hear, dark hair falling across her face. She stopped at the sound of his step, shoe scraping over stone. Her black eyes pinned him where he stood.
Frank opened his mouth to tell of his triumph, to tell the beginning of great things, all of it was there, waiting, behind his breath, but though his news built and pushed, out of his open mouth came nothing.
She smiled at him, the only smile she had.
She reached out her hand and opened his, the blueberries staining his palm. With one more look up at Frank, eyes shining like black stars, she leaned over his hand, taking the blueberries into her mouth, her lips soft against his palm, breath hot, her tongue traveling his lifeline.
Frank shuddered, his mouth opening, he looked up at the trees stretching above him, moving against black sky.
The blueberries gone, all traces lapped up, still she didn't stop, she opened her mouth wider than the world, and bit.
She straightened up at last, white hands pushing back her hair, licking her lips.
The next evening, a thousand people pushed against each other on the street corner where Frank had preached the day before, all of them speaking of the man on the apple crate, Bible in hand. An hour passed, two; dinners burned and wives looked anxiously through curtains for husbands who were never so late. As the earth slowly turned its face toward night, the crowd dispersed, whispering sadly to each other as though they were leaving a funeral.
The last of the hopeful finally bending their steps toward home, a young boy caught something out of the corner of his eye. He reached for his father's sleeve, to tell him the man had shown at last, but it was only a woman, white hands brushing dark hair from her face.
He looked an upright man. Frank fastened his collar, trying a smile in the mirror. Not the slow smile he wore at at night, walking softly into the woods, down past the Stankas farm, looking out for the glow of her white skin against the tree trunks. This was the smile of a young Bible scholar, a public smile, wise and open.
Frank looped his tie over, mouthing his speech silently into the mirror. People would stop on the street to listen, he was sure. He levelled his own gaze at his reflection: he had it just right, a perfect note of friendly compulsion.
Frank stood on the street corner, elevated on an apple crate, Bible in one hand. The workday ending, buildings vomiting out their collection of lost and broken humans. Frank raised the hand holding the Good Book, and opened his mouth to speak.
Years later, people would remember that day. A secretary told her daughter how his hair shone in the dying sunlight, how his face seemed lit from inside. She was late getting home, but she had to stop, as though she had lost the reins of her own body, slowly her head turned to listen. A banker gave up his job that day and became a minister, for the rest of his life telling his flock about the man holding the Bible above his head, how his words burned to the center of the banker's soul, reducing his former life to ashes in an instant. The janitor on his way to clean the school felt the young man's voice pull away all of his artifice; he stood naked at the feet of the man on the apple crate, his sins exposed. Naked, the janitor moved closer to the the man, warming himself in the flame of righteousness.
It was dark when Frank got home, apple crate in one hand, Bible in the other. He felt light and empty as a toy balloon. He would tell her everything, how hundreds of faces turned up to drink him in, how a streetful of strangers worshipped at his feet.
Frank slipped past the tree with the rope swing, the corn house, the barn, trailing his hand across the rough stones of the wall bordering the Stankas farm. The blueberries were ripe, hanging heavy over the wall; Frank took a handful to offer her.
He saw her through the trees, white hands moving in the dark, white neck bent, she danced to music he couldn't hear, dark hair falling across her face. She stopped at the sound of his step, shoe scraping over stone. Her black eyes pinned him where he stood.
Frank opened his mouth to tell of his triumph, to tell the beginning of great things, all of it was there, waiting, behind his breath, but though his news built and pushed, out of his open mouth came nothing.
She smiled at him, the only smile she had.
She reached out her hand and opened his, the blueberries staining his palm. With one more look up at Frank, eyes shining like black stars, she leaned over his hand, taking the blueberries into her mouth, her lips soft against his palm, breath hot, her tongue traveling his lifeline.
Frank shuddered, his mouth opening, he looked up at the trees stretching above him, moving against black sky.
The blueberries gone, all traces lapped up, still she didn't stop, she opened her mouth wider than the world, and bit.
She straightened up at last, white hands pushing back her hair, licking her lips.
The next evening, a thousand people pushed against each other on the street corner where Frank had preached the day before, all of them speaking of the man on the apple crate, Bible in hand. An hour passed, two; dinners burned and wives looked anxiously through curtains for husbands who were never so late. As the earth slowly turned its face toward night, the crowd dispersed, whispering sadly to each other as though they were leaving a funeral.
The last of the hopeful finally bending their steps toward home, a young boy caught something out of the corner of his eye. He reached for his father's sleeve, to tell him the man had shown at last, but it was only a woman, white hands brushing dark hair from her face.
Friday, April 14, 2006
Police blotter: nude elderly male
A South Buffalo Street caller reported a nude elderly man on a porch in the area
Lloyd couldn't find his wallet. No, he knew he'd left it right there on the coffee table, or maybe on the desk, on the kitchen counter, next to the bed. How could a person find anything, all these papers, all this stuff? Why do we have so much stuff? The mailman keeps bringing paper, slipping it in all innocent through that slot in the door, you hear it shuck in and its another layer of dirt on your grave, another thing, another piece of stuff, seventy-five years of stuff piling up, report cards from when he was eight years old, letters from his mother, bills, catalogs, instructions on how to use the microwave, the toaster, the can opener, seventy-five years of paper, enough to suffocate Lloyd enough to drown a city, and still it kept coming, still that sinister little snick of the paper slipping through the slot, the whole world is drowning in paper and tissue boxes and blankets and keychains with people's names on them and postcards from Hawaii.
Lloyd's hands moved over the papers, the photographs in frames, the band-aids, the tweezers, the reading glasses, it was enough, he was done with all of it. Seventy-five years was enough, too much, it all had to go. His hands locked down on a pile, magazines and Christmas cards and checkbooks; holding it to his chest, his breath coming faster, he pushed open the door, out into the light, and heaved all of it into the street.
No, that wasn't right. No, then he'd just shift it all to the street, to the outside world, and he'd still be in the box, the mail still snicking in every day, no, he had to get out, himself.
Lloyd left the door open, and walked out into the street.
Yes, this was better. The air breathed lightly on his cheek, springtime air. There were cherry blossoms on the tree across the street. His feet were hot in his shoes, so he unlaced them and stepped out, leaving them behind, then his socks, one at a time. He put his feet in the strip of grass between sidewalk and street and remembered the park where he played when he was a kid. Grass like this, soft in April, so green it almost hurt to look, walking along the sidewalk barefoot with his pal Harvey, ice cream dripping over the hand that held the cone, their shirts off, and Lloyd unbuttoned his shirt, letting it float gently to the ground, the breeze in his chest hair.
This was good, nothing else felt like this. His belt was next, then the pants, jingling heavy to the ground, keys in the pocket, boxer shorts last.
Nothing closing him in, now. Lloyd took in a deep breath, and smiled. Down the street was a big, deep porch, like he remembered from when he was a kid, the kind with a porch swing.
Lloyd sat down on the broad steps, cement cool against his skin, and settled back to watch the world go by.
Lloyd couldn't find his wallet. No, he knew he'd left it right there on the coffee table, or maybe on the desk, on the kitchen counter, next to the bed. How could a person find anything, all these papers, all this stuff? Why do we have so much stuff? The mailman keeps bringing paper, slipping it in all innocent through that slot in the door, you hear it shuck in and its another layer of dirt on your grave, another thing, another piece of stuff, seventy-five years of stuff piling up, report cards from when he was eight years old, letters from his mother, bills, catalogs, instructions on how to use the microwave, the toaster, the can opener, seventy-five years of paper, enough to suffocate Lloyd enough to drown a city, and still it kept coming, still that sinister little snick of the paper slipping through the slot, the whole world is drowning in paper and tissue boxes and blankets and keychains with people's names on them and postcards from Hawaii.
Lloyd's hands moved over the papers, the photographs in frames, the band-aids, the tweezers, the reading glasses, it was enough, he was done with all of it. Seventy-five years was enough, too much, it all had to go. His hands locked down on a pile, magazines and Christmas cards and checkbooks; holding it to his chest, his breath coming faster, he pushed open the door, out into the light, and heaved all of it into the street.
No, that wasn't right. No, then he'd just shift it all to the street, to the outside world, and he'd still be in the box, the mail still snicking in every day, no, he had to get out, himself.
Lloyd left the door open, and walked out into the street.
Yes, this was better. The air breathed lightly on his cheek, springtime air. There were cherry blossoms on the tree across the street. His feet were hot in his shoes, so he unlaced them and stepped out, leaving them behind, then his socks, one at a time. He put his feet in the strip of grass between sidewalk and street and remembered the park where he played when he was a kid. Grass like this, soft in April, so green it almost hurt to look, walking along the sidewalk barefoot with his pal Harvey, ice cream dripping over the hand that held the cone, their shirts off, and Lloyd unbuttoned his shirt, letting it float gently to the ground, the breeze in his chest hair.
This was good, nothing else felt like this. His belt was next, then the pants, jingling heavy to the ground, keys in the pocket, boxer shorts last.
Nothing closing him in, now. Lloyd took in a deep breath, and smiled. Down the street was a big, deep porch, like he remembered from when he was a kid, the kind with a porch swing.
Lloyd sat down on the broad steps, cement cool against his skin, and settled back to watch the world go by.
Saturday, April 08, 2006
A movable monkey
This tag is a rich vein - I'm gonna have to mine it again and again. Starting off with an easy one:
A Genesee Street business employee requested a
premise check after she reported she placed a stuffed
bear on the bar and now it was on a shelf. She thought
someone might have been in the building.
It's almost poetry, all by itself.
It wasn't where she put it. The monkey, the monkey, she'd put the monkey on the bar, right? It was like this, what do they call it, tableau, thing. You know, the monkey with the bottles, like it'd been drinking, right? It was supposed to be funny. So she hadn't just forgotten, like the cop was implying.
Grace didn't "forget" things like that, anyway. She'd put it on the bar. Now it was on the shelf. Someone was there, someone had been there, this cop didn't know what he was talking about, raising his eyebrows at his partner when he thought Grace wasn't looking. Like she was another nutcase.
The lights from the car moved across the wall, lighting up the monkey's face, blue, red, blue, red.
Grace rubbed her hands together and asked the cops if they needed anything else. They'd checked everything: windows closed and locked, back door locked. Nobody had been in here, they said. She watched them down the driveway, talking to each other, laughing, doors swinging shut on the patrol car. They pulled away, headlights scraping over the room.
Nobody had been here, they'd said, but someone had moved the monkey. Stupid, creepy thing to do anyway. Nothing taken, nothing trashed, nothing else touched. But the monkey was moved.
And now the cops were gone, Grace was alone with it.
A Genesee Street business employee requested a
premise check after she reported she placed a stuffed
bear on the bar and now it was on a shelf. She thought
someone might have been in the building.
It's almost poetry, all by itself.
It wasn't where she put it. The monkey, the monkey, she'd put the monkey on the bar, right? It was like this, what do they call it, tableau, thing. You know, the monkey with the bottles, like it'd been drinking, right? It was supposed to be funny. So she hadn't just forgotten, like the cop was implying.
Grace didn't "forget" things like that, anyway. She'd put it on the bar. Now it was on the shelf. Someone was there, someone had been there, this cop didn't know what he was talking about, raising his eyebrows at his partner when he thought Grace wasn't looking. Like she was another nutcase.
The lights from the car moved across the wall, lighting up the monkey's face, blue, red, blue, red.
Grace rubbed her hands together and asked the cops if they needed anything else. They'd checked everything: windows closed and locked, back door locked. Nobody had been in here, they said. She watched them down the driveway, talking to each other, laughing, doors swinging shut on the patrol car. They pulled away, headlights scraping over the room.
Nobody had been here, they'd said, but someone had moved the monkey. Stupid, creepy thing to do anyway. Nothing taken, nothing trashed, nothing else touched. But the monkey was moved.
And now the cops were gone, Grace was alone with it.
Monday, March 27, 2006
The day I lost it
Scratch fiction tag courtesy of monkey0: chastity.
"I remember everything," Raye said, running one hand through her hair, ashing her cigarette before bringing it to her lips, "It was in my Vocational Ed class. Yeah, it was bad enough that we went to the public schools. This was before homeschooling was all the rage. It was easy then to get too much attention from the Feds, so, you know, we did what we had to.
"So, Voc Ed. They'd have people from the community come and give little presentations to the class, you know, This is what it's like to run a dry cleaner, or an auto shop, or punch the keys on a cash register, and this day, they had a hairdresser.
"It was weird anyway, they brought in a guy hairdresser, and he was Puerto Rican, how many of those do you see around here, huh? His name was Alfredo or Alberto, something like that, little guy. I was in the back of the class, like usual, you know, the only people I hung out with at school were my sisters, we were all freaks together in our long sleeves and skirts down to our ankles. Our hair in long braids down our backs."
Raye peeled away a piece of tobacco that had stuck to her lower lip, cig in her first two fingers, she pulled it away delicately with thumb and third finger.
"He said he was going to demonstrate a haircut, and he wanted a model.
"Mother said I'd heard the Devil speaking in my ear, old Satan himself, perched on my shoulder, his long tongue reaching into my ear, hot breath against my cheek, Satan seduced me, velvety voice purring, 'Raise your hand, Rachel,' she screamed I was the Devil's whore now, the last words she ever said to me, and my father pushed me out onto the dirt, not even a change of underwear or a piece of bread, he shut the door blank in my face - but I never heard a voice.
"I felt a heat, rather, starting right between my legs, and running all the way up inside me. My face must have been as red as a stop sign, but I couldn't stop my hand going up.
"I sat down in the chair, in front of the whole class, and I felt his hands slide in under my hair, I heard him coo over it, purring like he was a cat, his fingers deep in my hair, pulling through it. I'd never been touched by a man not my father before. My mother or one of the sister wives braided my hair every morning, and the touch of his hands sent shocks all the way to the center of me.
"'Put your head down, Sweetie,' his voice poured into my ear like maple syrup, if I ever heard the Devil's voice, it was Alberto's, soft and smooth as anything. I felt the cold metal of the scissors against my neck, felt them bite down, my hair sliding heavy to the floor.
"What's that? -No," Raye shook her head, stabbing out her cig. She rattled the ice in her glass at the waitress passing by, "No, of course not. He was gay, obviously. No, he cut my hair, that's all.
"But don't you understand? That was all it took."
"I remember everything," Raye said, running one hand through her hair, ashing her cigarette before bringing it to her lips, "It was in my Vocational Ed class. Yeah, it was bad enough that we went to the public schools. This was before homeschooling was all the rage. It was easy then to get too much attention from the Feds, so, you know, we did what we had to.
"So, Voc Ed. They'd have people from the community come and give little presentations to the class, you know, This is what it's like to run a dry cleaner, or an auto shop, or punch the keys on a cash register, and this day, they had a hairdresser.
"It was weird anyway, they brought in a guy hairdresser, and he was Puerto Rican, how many of those do you see around here, huh? His name was Alfredo or Alberto, something like that, little guy. I was in the back of the class, like usual, you know, the only people I hung out with at school were my sisters, we were all freaks together in our long sleeves and skirts down to our ankles. Our hair in long braids down our backs."
Raye peeled away a piece of tobacco that had stuck to her lower lip, cig in her first two fingers, she pulled it away delicately with thumb and third finger.
"He said he was going to demonstrate a haircut, and he wanted a model.
"Mother said I'd heard the Devil speaking in my ear, old Satan himself, perched on my shoulder, his long tongue reaching into my ear, hot breath against my cheek, Satan seduced me, velvety voice purring, 'Raise your hand, Rachel,' she screamed I was the Devil's whore now, the last words she ever said to me, and my father pushed me out onto the dirt, not even a change of underwear or a piece of bread, he shut the door blank in my face - but I never heard a voice.
"I felt a heat, rather, starting right between my legs, and running all the way up inside me. My face must have been as red as a stop sign, but I couldn't stop my hand going up.
"I sat down in the chair, in front of the whole class, and I felt his hands slide in under my hair, I heard him coo over it, purring like he was a cat, his fingers deep in my hair, pulling through it. I'd never been touched by a man not my father before. My mother or one of the sister wives braided my hair every morning, and the touch of his hands sent shocks all the way to the center of me.
"'Put your head down, Sweetie,' his voice poured into my ear like maple syrup, if I ever heard the Devil's voice, it was Alberto's, soft and smooth as anything. I felt the cold metal of the scissors against my neck, felt them bite down, my hair sliding heavy to the floor.
"What's that? -No," Raye shook her head, stabbing out her cig. She rattled the ice in her glass at the waitress passing by, "No, of course not. He was gay, obviously. No, he cut my hair, that's all.
"But don't you understand? That was all it took."
Saturday, March 25, 2006
Ned
Ned's feet carried him down the steps into the station. A long corridor, white tile walls. A man tilted toward the wall, white vomit hanging from his chin, mouth grinning open, cackling as his urine arced out, splashing the white tile.
Ned paid with cash. Saturday night, the station was crowded. He pushed through the crowd, standing quietly to wait, his eyes moving over the posters across the tracks, none of the words making it all the way to his brain. He could hear people breathing around him, talking, laughing.
The train stopped and the doors opened in front of him. Ned stepped on board, moved down the train to the center and stood against the railing. He looked up at the people pressing in around him. A full car.
A young girl sat at the window, her face reflected clearly against the black of the tunnel. She was looking down, her face serene. She was beautiful. Ned's heart grew to take her in. Shining black hair hanging to her shoulders, a round face. She might have been Chinese. She glanced up, right into Ned's reflected eyes, her face softening into an almost-smile before looking back down.
Ned was in love.
Ned loved everyone on this train. The couple to his right, the girl sitting, her boyfriend standing, holding her hand. They were talking about a movie they wanted to see. The punk kid with spiked hair and an old leather jacket and a sweet flush on his cheeks. The brother with a glorious 'fro and shining suit. A man speaking Russian with his wife. A skinny blond girl hiding inside enormous sunglasses. They were all part of Ned tonight, not one of them knew how much.
Ned held out his hands to look at them, back and front. They were still. He was ready.
He reached into his coat, running a hand over the explosives against his body. Everything was there. He found the button, under his left arm, and tickled it with his thumb.
Ned looked around the car once more. They were all so beautiful, every one of them. He looked again at the Chinese girl, and her reflected eyes were on his again. She smiled for real this time. Ned smiled back, gratefully, and pressed his thumb down on the button.
Ned paid with cash. Saturday night, the station was crowded. He pushed through the crowd, standing quietly to wait, his eyes moving over the posters across the tracks, none of the words making it all the way to his brain. He could hear people breathing around him, talking, laughing.
The train stopped and the doors opened in front of him. Ned stepped on board, moved down the train to the center and stood against the railing. He looked up at the people pressing in around him. A full car.
A young girl sat at the window, her face reflected clearly against the black of the tunnel. She was looking down, her face serene. She was beautiful. Ned's heart grew to take her in. Shining black hair hanging to her shoulders, a round face. She might have been Chinese. She glanced up, right into Ned's reflected eyes, her face softening into an almost-smile before looking back down.
Ned was in love.
Ned loved everyone on this train. The couple to his right, the girl sitting, her boyfriend standing, holding her hand. They were talking about a movie they wanted to see. The punk kid with spiked hair and an old leather jacket and a sweet flush on his cheeks. The brother with a glorious 'fro and shining suit. A man speaking Russian with his wife. A skinny blond girl hiding inside enormous sunglasses. They were all part of Ned tonight, not one of them knew how much.
Ned held out his hands to look at them, back and front. They were still. He was ready.
He reached into his coat, running a hand over the explosives against his body. Everything was there. He found the button, under his left arm, and tickled it with his thumb.
Ned looked around the car once more. They were all so beautiful, every one of them. He looked again at the Chinese girl, and her reflected eyes were on his again. She smiled for real this time. Ned smiled back, gratefully, and pressed his thumb down on the button.
Tuesday, February 21, 2006
Valentine (a week late)
So monkey 0 has tempted me out of semi-retirement with another scratch fiction topic. "Love" is just way too broad, so I'll consider the tag to be "St. Valentine."
Her eyes were wet with love, ankle-deep in tears, staring at her beloved, mouthing the words with him, her hands in his, while he swallowed against his drying mouth, wavering on his knees, holding onto her like she was all that kept him stuck to earth.
Valentine stood over them, pronounced them married, watched the boy close his eyes, his new wife bend her face to their hands, their fingers, woven together, washed in her tears. He'd seen this thing, this strange ecstacy in a hundred different couples, he knew it now before they had to speak, clinging to the shadow of his doorway in the night, the emporer's men ready to turn in anyone suspected; they were single men, the rest of the world should suffer with them.
The emporer may have been right; single men didn't show the weakness he saw in those kneeling before him, the vulnerability, let anything happen to the woman at his side and this man would be laid open, at the mercy of any wandering dog. But Valentine wondered at another kind of strength, the kind that demanded this defiance of Claudius and his enforcers, it matched his own love of God almost, but different, as if God answered back when His name was called, God calling His children with the same heat, the same longing as they call to Him.
So. That was it, then, what these people had, their heat leaping up under Valentine's cold hand. They saw God in each other.
It was almost no loss, then, to Valentine, his life never belonged to him, never belonged to earth anyway. When God called him - roughly, called him in the form of Claudius' brutes - he answered, calmly. Calmly he laid his hand against the stone of his cell, cold answering the cold of his hand. He was almost home, he wouldn't miss the world, much. The sharpening of the axe on stone, singing metal, was just the crowing of the cock, waking him from the dream of life.
The girl, then, wandering into his cell, hair matted, eyes milked over, head at a strange angle, stumbling in, just another lost soul, another girl looking for a hand to guide her, a Hand, and Valentine saw the last gift he could offer, to bring this child to God, he could take her hand and teach her prayer.
Valentine reached for the girl's hand, and something shifted in the air of the cell. He touched her, a voice coming from deep inside her, from inside the earth itself, the white slid off her eyes and they rolled in her head, terrified, her mouth open and Valentine felt her voice reach into him, vibrating through his bones, he saw through her eyes, a mad jumble of colors and shapes, and pulled her close, he could feel chaos moving through her, tearing into him, he held her closer, closing all the sounds and rushing lights down to one thing: his heart, beating in his chest.
Valentine knew, in those moments he held her against him, her limbs winding through his, his hands hot on her back, breath fierce and alive for the first time, he knew that tomorrow, when the axe came cold and bright into his neck, this is what he would remember.
Her eyes were wet with love, ankle-deep in tears, staring at her beloved, mouthing the words with him, her hands in his, while he swallowed against his drying mouth, wavering on his knees, holding onto her like she was all that kept him stuck to earth.
Valentine stood over them, pronounced them married, watched the boy close his eyes, his new wife bend her face to their hands, their fingers, woven together, washed in her tears. He'd seen this thing, this strange ecstacy in a hundred different couples, he knew it now before they had to speak, clinging to the shadow of his doorway in the night, the emporer's men ready to turn in anyone suspected; they were single men, the rest of the world should suffer with them.
The emporer may have been right; single men didn't show the weakness he saw in those kneeling before him, the vulnerability, let anything happen to the woman at his side and this man would be laid open, at the mercy of any wandering dog. But Valentine wondered at another kind of strength, the kind that demanded this defiance of Claudius and his enforcers, it matched his own love of God almost, but different, as if God answered back when His name was called, God calling His children with the same heat, the same longing as they call to Him.
So. That was it, then, what these people had, their heat leaping up under Valentine's cold hand. They saw God in each other.
It was almost no loss, then, to Valentine, his life never belonged to him, never belonged to earth anyway. When God called him - roughly, called him in the form of Claudius' brutes - he answered, calmly. Calmly he laid his hand against the stone of his cell, cold answering the cold of his hand. He was almost home, he wouldn't miss the world, much. The sharpening of the axe on stone, singing metal, was just the crowing of the cock, waking him from the dream of life.
The girl, then, wandering into his cell, hair matted, eyes milked over, head at a strange angle, stumbling in, just another lost soul, another girl looking for a hand to guide her, a Hand, and Valentine saw the last gift he could offer, to bring this child to God, he could take her hand and teach her prayer.
Valentine reached for the girl's hand, and something shifted in the air of the cell. He touched her, a voice coming from deep inside her, from inside the earth itself, the white slid off her eyes and they rolled in her head, terrified, her mouth open and Valentine felt her voice reach into him, vibrating through his bones, he saw through her eyes, a mad jumble of colors and shapes, and pulled her close, he could feel chaos moving through her, tearing into him, he held her closer, closing all the sounds and rushing lights down to one thing: his heart, beating in his chest.
Valentine knew, in those moments he held her against him, her limbs winding through his, his hands hot on her back, breath fierce and alive for the first time, he knew that tomorrow, when the axe came cold and bright into his neck, this is what he would remember.
Wednesday, January 18, 2006
Visible man
Thanks for the topic, monkeyman.
When Arturo was born, there were articles in the newspaper, photos, even T.V., everyone knew who he was, he was on people's minds for about ten minutes, and then the two-headed kitten was born, they moved on. But he grew up, people sucking in their breath when he passed, his teacher in grade school turned white when she saw him, sitting at his desk, just like all the other kids but not. Jack and Sheldon in the playground, watching the school lunch turned to slurry, round flap of meat, mashed potatoes, green gravy all broken down and moving through his intestines, Art holding up his shirt, nothing if not educational.
People get used to anything, Art got used to living after all the doctors stopped shaking their heads and saying he shouldn't be alive, and the world got used to Art, it helped to live in a smallish town, Art couldn't disappear in a city like other people, always the curious want to stare, kids gotta touch, gotta ask Does it hurt, it's endless with strangers, people were used to him here, knew him as much as anyone does, people think because they can see inside you they really see inside you, but Art had his hidden places, just like anyone else.
Just like anyone else, Just like anyone else, Art carried it in his brain while he did his rounds, Why didn't you find a job doing something where people are happy to see you? his mom wanted to know, but even she didn't know, even here, nobody was happy to see him, he reminded them they were just meat, slimy grinding machines at work all the time, he couldn't serve ice cream, nobody would buy, let alone eat with him standing there, blood pulsing through the vessels in his neck, muscles bunching up in his jaw, puts most people off their food. No, this was fine, Art in his little cart, people knew him, could see him coming without having to look at him, hostility covered up in jokes, this was fine, everyone knew where he stood.
Art stopped beside Judge Morton's car, checking the meter, the Judge flapping down the steps in his robe, hiking it up to get at the change in his pocket, "Just stop thinking what you're thinking, Art, I've got a minute left, don't even think about it, I can see right through you."
How many times had he heard that, thought Art, flipping his book closed.
When Arturo was born, there were articles in the newspaper, photos, even T.V., everyone knew who he was, he was on people's minds for about ten minutes, and then the two-headed kitten was born, they moved on. But he grew up, people sucking in their breath when he passed, his teacher in grade school turned white when she saw him, sitting at his desk, just like all the other kids but not. Jack and Sheldon in the playground, watching the school lunch turned to slurry, round flap of meat, mashed potatoes, green gravy all broken down and moving through his intestines, Art holding up his shirt, nothing if not educational.
People get used to anything, Art got used to living after all the doctors stopped shaking their heads and saying he shouldn't be alive, and the world got used to Art, it helped to live in a smallish town, Art couldn't disappear in a city like other people, always the curious want to stare, kids gotta touch, gotta ask Does it hurt, it's endless with strangers, people were used to him here, knew him as much as anyone does, people think because they can see inside you they really see inside you, but Art had his hidden places, just like anyone else.
Just like anyone else, Just like anyone else, Art carried it in his brain while he did his rounds, Why didn't you find a job doing something where people are happy to see you? his mom wanted to know, but even she didn't know, even here, nobody was happy to see him, he reminded them they were just meat, slimy grinding machines at work all the time, he couldn't serve ice cream, nobody would buy, let alone eat with him standing there, blood pulsing through the vessels in his neck, muscles bunching up in his jaw, puts most people off their food. No, this was fine, Art in his little cart, people knew him, could see him coming without having to look at him, hostility covered up in jokes, this was fine, everyone knew where he stood.
Art stopped beside Judge Morton's car, checking the meter, the Judge flapping down the steps in his robe, hiking it up to get at the change in his pocket, "Just stop thinking what you're thinking, Art, I've got a minute left, don't even think about it, I can see right through you."
How many times had he heard that, thought Art, flipping his book closed.
Friday, December 30, 2005
Way to go, Ed
For monkey 0 and for the real-life Ed.
Ed felt it right as the ball left his fingers, a perfect throw, rolling straight as the path to God down the lane, lights shining off its surface. He closed his eyes to hear the sweet clatter as the ball hit true, ten pins down.
"You ever hear anything so pretty?" asked Ed, turning back to his boys.
Cecil shook his head, slurping suds from his moustache, "You're on fire tonight, Ed."
"Throwing with the angels," agreed Johnny, angling up to the ball return, his long fingers slotting into his own ball.
Throwing with the angels. Ed nodded, in a state of grace, something special tonight. He knew he had that magic 300 in his fingers, he just had to step aside almost, a simple perfection speaking through him.
"Whatever happened to that Sherry?" asked Ed. He could still remember the feel of her lips on his cheek last year, after his second 300 game, always thought it was her nominated him for the Hall of Fame in Kalamazoo. The way she looked at him sideways from behind the counter, shiny red lips in a little smile like they had a private joke, just the two of them.
"She married that Kosanke fellow," Cecil slumping back from a sorry throw, "From last year's All Star's?"
"Moved out to...Illinois, was it?" Dick rolled his head against the back of the bench, Ed guessed his shoulder was acting up again.
"That girl had real class," Ed nodded his way back to the lane, last throw of the game, head full of Sherry and her long brown hair. Even under the alley uniform you could tell she was built like one of those girls on the mud flaps, tiny little waist, hips rolling under the edge of the shirt. Too young for him, he knew, but she let him dream. Ed held his hand over the air, thought again of her breath on his cheek, her gentle voice in his ear: "Way to go, Ed."
His fingers slid into the holes like home, the ball warm and alive in his hand.
This is a good night, he thought, letting go, rolling true as the word of the Lord, the boys jumping up almost before it hit, he could hear them yelling his name, a perfect 300, stars shooting behind his eyelids, his heart swelling up, he turned around to see their faces once before tilting to the floor, Sherry's voice in his ear, calling him softly home.
"Way to go, Ed."
Ed felt it right as the ball left his fingers, a perfect throw, rolling straight as the path to God down the lane, lights shining off its surface. He closed his eyes to hear the sweet clatter as the ball hit true, ten pins down.
"You ever hear anything so pretty?" asked Ed, turning back to his boys.
Cecil shook his head, slurping suds from his moustache, "You're on fire tonight, Ed."
"Throwing with the angels," agreed Johnny, angling up to the ball return, his long fingers slotting into his own ball.
Throwing with the angels. Ed nodded, in a state of grace, something special tonight. He knew he had that magic 300 in his fingers, he just had to step aside almost, a simple perfection speaking through him.
"Whatever happened to that Sherry?" asked Ed. He could still remember the feel of her lips on his cheek last year, after his second 300 game, always thought it was her nominated him for the Hall of Fame in Kalamazoo. The way she looked at him sideways from behind the counter, shiny red lips in a little smile like they had a private joke, just the two of them.
"She married that Kosanke fellow," Cecil slumping back from a sorry throw, "From last year's All Star's?"
"Moved out to...Illinois, was it?" Dick rolled his head against the back of the bench, Ed guessed his shoulder was acting up again.
"That girl had real class," Ed nodded his way back to the lane, last throw of the game, head full of Sherry and her long brown hair. Even under the alley uniform you could tell she was built like one of those girls on the mud flaps, tiny little waist, hips rolling under the edge of the shirt. Too young for him, he knew, but she let him dream. Ed held his hand over the air, thought again of her breath on his cheek, her gentle voice in his ear: "Way to go, Ed."
His fingers slid into the holes like home, the ball warm and alive in his hand.
This is a good night, he thought, letting go, rolling true as the word of the Lord, the boys jumping up almost before it hit, he could hear them yelling his name, a perfect 300, stars shooting behind his eyelids, his heart swelling up, he turned around to see their faces once before tilting to the floor, Sherry's voice in his ear, calling him softly home.
"Way to go, Ed."
Thursday, December 29, 2005
Paradise
This is my very late post for monkey 0's topic.
Stanley dropped the cherry from his cig down between the couch cushions. Bad scene, man. He stuck his hand down after it, quick, moved it back and forth. Nothing. Shit.
Stanley dragged himself up and yanked the cushion off the couch. No smoldering kernel, no ash, no nothing. Nothing, nothing, nothing, man. Not even crumbs. The bare couch was as clean as the day the plastic came off, however many damn years ago that was. Fifty or something. Crappy old flowered couch, and he'd been eating and drinking and smoking, playing cards and getting drunk and farting and even had a chick once or twice on the thing, and there's nothing there. Clean as a baby's bottom.
That shit's fucked up, thought Stanley.
He was standing anyway, so he lifted off the other two cushions, knocking his dead cig off the coffee table, and rocking his beer where it stood. Stanley lunged for the beer, caught it off balance, spilled some on the cushionless couch, but managed to save most of it. He was about ready to take a pull when the puddle of beer on the bare seat started moving. Not like running like spilled beer should, man, but like gathering itself together and looping, brown and shiny, toward the crack, that long crack at the back of the couch.
Stanley put down the beer. How many had he had? Damn, not that many, only four or so, just a regular weekday, but damn him if that puddle wasn't slipping right into that crack, leaving the couch as clean as Sunday morning.
Stanley sat down on the coffee table, and looked at the couch. It sat there, not saying a word back to him. It was just a couch, just a raggedy-ass old couch. Maybe it was just curved funny so that everything that landed on it slid to the back. That was it. Stanley nodded once, then knelt on the couch and reached into the crack.
And he kept reaching, pushing his arm in all the way up to his shoulder, his hand waving around in fucking empty air. He yanked his arm back, fast, and pulled the couch away from the wall, knocking it against the coffee table. The beer went over again, but Stanley didn't even stop to see the liquid foaming out of the can, sliding quietly into the crack. He was busy running his hand over the back of the couch. Nothing, just the back of the couch. Wall on the other side.
Stanley stood up. He looked at his right hand, the one he'd stuck into the crack. It was warm. Warmer than his other hand. Shit, it wasn't 40 degrees out and his heat hadn't worked for a month. He was used to the cold. He held his two hands next to each other, and the right one was radiating heat.
Stanley went back around to the front of the couch and laid down on it. He pried open the crack. It was just dark down there, but something, a warm breath and a scent.
Fuck, was that flowers?
Stanley scrabbled in closer. No, it wasn't just dark, there was a glow down there, far off, like sunshine from another room, and...he pried it open just a little further...he heard a breeze, wind through palm leaves. And the scent of flowers. And...Stanley pushed his head as close as he could...ocean waves, lapping against the beach.
The far-off cry of a seagull.
Stanley dropped the cherry from his cig down between the couch cushions. Bad scene, man. He stuck his hand down after it, quick, moved it back and forth. Nothing. Shit.
Stanley dragged himself up and yanked the cushion off the couch. No smoldering kernel, no ash, no nothing. Nothing, nothing, nothing, man. Not even crumbs. The bare couch was as clean as the day the plastic came off, however many damn years ago that was. Fifty or something. Crappy old flowered couch, and he'd been eating and drinking and smoking, playing cards and getting drunk and farting and even had a chick once or twice on the thing, and there's nothing there. Clean as a baby's bottom.
That shit's fucked up, thought Stanley.
He was standing anyway, so he lifted off the other two cushions, knocking his dead cig off the coffee table, and rocking his beer where it stood. Stanley lunged for the beer, caught it off balance, spilled some on the cushionless couch, but managed to save most of it. He was about ready to take a pull when the puddle of beer on the bare seat started moving. Not like running like spilled beer should, man, but like gathering itself together and looping, brown and shiny, toward the crack, that long crack at the back of the couch.
Stanley put down the beer. How many had he had? Damn, not that many, only four or so, just a regular weekday, but damn him if that puddle wasn't slipping right into that crack, leaving the couch as clean as Sunday morning.
Stanley sat down on the coffee table, and looked at the couch. It sat there, not saying a word back to him. It was just a couch, just a raggedy-ass old couch. Maybe it was just curved funny so that everything that landed on it slid to the back. That was it. Stanley nodded once, then knelt on the couch and reached into the crack.
And he kept reaching, pushing his arm in all the way up to his shoulder, his hand waving around in fucking empty air. He yanked his arm back, fast, and pulled the couch away from the wall, knocking it against the coffee table. The beer went over again, but Stanley didn't even stop to see the liquid foaming out of the can, sliding quietly into the crack. He was busy running his hand over the back of the couch. Nothing, just the back of the couch. Wall on the other side.
Stanley stood up. He looked at his right hand, the one he'd stuck into the crack. It was warm. Warmer than his other hand. Shit, it wasn't 40 degrees out and his heat hadn't worked for a month. He was used to the cold. He held his two hands next to each other, and the right one was radiating heat.
Stanley went back around to the front of the couch and laid down on it. He pried open the crack. It was just dark down there, but something, a warm breath and a scent.
Fuck, was that flowers?
Stanley scrabbled in closer. No, it wasn't just dark, there was a glow down there, far off, like sunshine from another room, and...he pried it open just a little further...he heard a breeze, wind through palm leaves. And the scent of flowers. And...Stanley pushed his head as close as he could...ocean waves, lapping against the beach.
The far-off cry of a seagull.
Thursday, December 08, 2005
"We'll be home soon"
"...a relief." Rico was talking out loud, but he didn't think anyone heard him, their feet moving around his head, shouting somewhere far above him, Rico couldn't understand what, but it didn't matter, what Marie had said was right, everything was going to be okay.
Marie had been talking him through the whole thing, getting on the plane and the drink service, all of it, "We're starting to land," she'd said, "just twenty minutes and we'll be on the ground," she seemed to think he was nervous, but it was Marie who was scared when she found out he'd missed his dose this morning. Rico was just rolling back, away from all the noise and colors and realness, like a camera dollying back from the action, and it was turning into a movie, a dream, Rico just sitting back where it was safe and quiet, watching himself bouncing his knees, bumping them up against the tray table, watching his shoulders twitch inside his new blue shirt.
"We just have to get through customs ... We're going to be home soon, and everything will be all right," Marie had her hand over his while they stood, stooping, at their seat, watching the other passengers bunch up in the aisle.
From his far-off spot, Rico saw one of the passengers - the guy with wet strings of hair pulled over the top of his head - look hard at Rico, he was looking at him and thinking Terrorist, Rico could smell it, he smelled what the bald guy was thinking, he looked at Rico and saw a terrorist.
Rico moved his backpack around to his front, it made him feel safer from the man who saw a terrorist, it made him feel strong, he could lift his arms out to the side and look down at it, it looked good, it looked powerful. It looked like it could be real, could be dangerous, could be a bomb.
The man moved his head, jerking it to the side. Rico watched himself flinch back, watched himself break for the aisle, he could see a panic on his face, the Rico he saw had to get out, Marie left behind, he just had to get out out fast.
He didn't see the man in the Hawaiian shirt, though, not until after the shots yanked him right back inside his head, the man standing over him. Did he hear me thinking? wondered Rico. Did he hear me thinking about my backpack, how it could be a bomb?
It didn't really matter, thought Rico, blood slipping from between his lips. Everything was okay, just like Marie said. We'll be home soon.
Marie had been talking him through the whole thing, getting on the plane and the drink service, all of it, "We're starting to land," she'd said, "just twenty minutes and we'll be on the ground," she seemed to think he was nervous, but it was Marie who was scared when she found out he'd missed his dose this morning. Rico was just rolling back, away from all the noise and colors and realness, like a camera dollying back from the action, and it was turning into a movie, a dream, Rico just sitting back where it was safe and quiet, watching himself bouncing his knees, bumping them up against the tray table, watching his shoulders twitch inside his new blue shirt.
"We just have to get through customs ... We're going to be home soon, and everything will be all right," Marie had her hand over his while they stood, stooping, at their seat, watching the other passengers bunch up in the aisle.
From his far-off spot, Rico saw one of the passengers - the guy with wet strings of hair pulled over the top of his head - look hard at Rico, he was looking at him and thinking Terrorist, Rico could smell it, he smelled what the bald guy was thinking, he looked at Rico and saw a terrorist.
Rico moved his backpack around to his front, it made him feel safer from the man who saw a terrorist, it made him feel strong, he could lift his arms out to the side and look down at it, it looked good, it looked powerful. It looked like it could be real, could be dangerous, could be a bomb.
The man moved his head, jerking it to the side. Rico watched himself flinch back, watched himself break for the aisle, he could see a panic on his face, the Rico he saw had to get out, Marie left behind, he just had to get out out fast.
He didn't see the man in the Hawaiian shirt, though, not until after the shots yanked him right back inside his head, the man standing over him. Did he hear me thinking? wondered Rico. Did he hear me thinking about my backpack, how it could be a bomb?
It didn't really matter, thought Rico, blood slipping from between his lips. Everything was okay, just like Marie said. We'll be home soon.
Wednesday, November 23, 2005
Scratch fiction in 10 steps
Scratch fiction can be a heady antidote to writerly malaise, lack of inspiration, or not enough time to write. If you're despairing at the pile of rewrites on your desk, you can head down to the bar for a Bukowskian binge, or you can write some scratch fiction. I'm not advocating either, necessarily, but scratch fiction won't give you a hangover, and it's not likely to make that doughy guy at the end of the bar with the greasy hair and spittle-glazed lips look charming.
Step 1: Sit in front of computer.
Step 2: Get up and pour a drink. Sit down again.
Step 3: Get up and yell to spouse (or partner, or roommate, or call a friend). Ask for a topic. If you don't want to speak to anyone, pick up a random book, open to a random page, and drop your finger on the page. The word you land on is your topic.
If you don't like the first topic given, you can ask for another.
Step 4: Type a title. This can be the topic you've been given. Or it can be something completely unrelated that the topic makes you think of. Or that the person you asked makes you think of. Maybe the way his glasses reflect the light while he is thinking of a topic makes you think of a shiny beach ball your best friend had when you were three, that you wanted more than anything in the world, so much you got into a fight with your friend and one of you ended up with a bloody nose, which makes you think about how far people will go for stuff they want, so you decide to write a thrilling short piece about a thief, or a junkie, or a concubine. Or maybe you write about two three-year-olds who get into a fight over a beach ball.
Step 5: Type for 15 minutes or so, until the piece is finished. Nope, don't go back and revise - keep typing.
Step 6: I said, keep typing.
Step 7: Stop. Take a drink. What the hell, finish your drink. You've earned it.
Step 8: Read the piece. Fix typos and/or egregious errors, if you must, but do not revise.
Step 9: Hit "publish".
Step 10: Have another drink.
Wait, I did say this wouldn't give you a hangover, right? Then make the drink fruit juice.
Step 1: Sit in front of computer.
Step 2: Get up and pour a drink. Sit down again.
Step 3: Get up and yell to spouse (or partner, or roommate, or call a friend). Ask for a topic. If you don't want to speak to anyone, pick up a random book, open to a random page, and drop your finger on the page. The word you land on is your topic.
If you don't like the first topic given, you can ask for another.
Step 4: Type a title. This can be the topic you've been given. Or it can be something completely unrelated that the topic makes you think of. Or that the person you asked makes you think of. Maybe the way his glasses reflect the light while he is thinking of a topic makes you think of a shiny beach ball your best friend had when you were three, that you wanted more than anything in the world, so much you got into a fight with your friend and one of you ended up with a bloody nose, which makes you think about how far people will go for stuff they want, so you decide to write a thrilling short piece about a thief, or a junkie, or a concubine. Or maybe you write about two three-year-olds who get into a fight over a beach ball.
Step 5: Type for 15 minutes or so, until the piece is finished. Nope, don't go back and revise - keep typing.
Step 6: I said, keep typing.
Step 7: Stop. Take a drink. What the hell, finish your drink. You've earned it.
Step 8: Read the piece. Fix typos and/or egregious errors, if you must, but do not revise.
Step 9: Hit "publish".
Step 10: Have another drink.
Wait, I did say this wouldn't give you a hangover, right? Then make the drink fruit juice.
Tuesday, November 22, 2005
Mechanical difficulties
Boris' hands didn't work. No, no, this wasn't happening. He whacked his right hand against the edge of the counter to wake it up. Three people were waiting out front, the store was packed. Everyone was getting meat today, lamb cut into stew-size cubes, a good ribeye steak, a pound of lean hamburger, what was wrong with turkey? Boris wanted to know, for Thanksgiving, you were supposed to have turkey, not hamburger, what were these people thinking?
He butted his hand against the knife, but nothing, he couldn't even feel it. Was he having a heart attack? That would be just the left hand, right? And he'd feel it all down his arm, wouldn't he? This was something else, like his arms ended at the wrists, or, or like his hands were stuffed into giant mittens.
Giant mittens, he was thinking about giant mittens and the blond guy with the lamb shank was looking at his watch. You don't have to do it so dramatically, Kiddo, thought Boris, I know you're impatient, at least you have your hands.
The store was even crazier than last year, Boris could see a baby screaming over by the paté, hanging on the mother's hip, the mother serenely, obscenely oblivious, tossing paté in her cart like there was a shortage. The rich are different than you and me, Boris said to his wife almost every night as he climbed into bed smelling of a thousand slaughters, Maria yawning and turning over, They're just people, she'd say, but she didn't see them, visibly annoyed at having to do their own shopping, it all came down on Boris' head, one of the last of the live butchers, they all thought of him as their private servant.
The worst were the over-polite ones.
"Um, excuse me?" Blondie was actually tapping his toes. "Um, I don't mean to be difficult, but, um, I do have an appointment?"
Like making it a question made it all right, meant he wasn't being ordered around, wasn't a servant who belonged to anyone with the bank account to shop here.
Boris brought his hand down hard against the counter. Nothing. He looked at the growing line out front, all of them in their Ferragamos and Armani, Prada handbags and matching little dogs to stuff into them. He should climb over this counter and show them what a man was, he would roar like a bear and smash the glass into glittering bits, he could see it, could see himself standing a head above every one of these little faded people, they would scream at the sight of his massive fists...
But no. Boris let his arms hang dead at his sides. He couldn't even make a fist.
He butted his hand against the knife, but nothing, he couldn't even feel it. Was he having a heart attack? That would be just the left hand, right? And he'd feel it all down his arm, wouldn't he? This was something else, like his arms ended at the wrists, or, or like his hands were stuffed into giant mittens.
Giant mittens, he was thinking about giant mittens and the blond guy with the lamb shank was looking at his watch. You don't have to do it so dramatically, Kiddo, thought Boris, I know you're impatient, at least you have your hands.
The store was even crazier than last year, Boris could see a baby screaming over by the paté, hanging on the mother's hip, the mother serenely, obscenely oblivious, tossing paté in her cart like there was a shortage. The rich are different than you and me, Boris said to his wife almost every night as he climbed into bed smelling of a thousand slaughters, Maria yawning and turning over, They're just people, she'd say, but she didn't see them, visibly annoyed at having to do their own shopping, it all came down on Boris' head, one of the last of the live butchers, they all thought of him as their private servant.
The worst were the over-polite ones.
"Um, excuse me?" Blondie was actually tapping his toes. "Um, I don't mean to be difficult, but, um, I do have an appointment?"
Like making it a question made it all right, meant he wasn't being ordered around, wasn't a servant who belonged to anyone with the bank account to shop here.
Boris brought his hand down hard against the counter. Nothing. He looked at the growing line out front, all of them in their Ferragamos and Armani, Prada handbags and matching little dogs to stuff into them. He should climb over this counter and show them what a man was, he would roar like a bear and smash the glass into glittering bits, he could see it, could see himself standing a head above every one of these little faded people, they would scream at the sight of his massive fists...
But no. Boris let his arms hang dead at his sides. He couldn't even make a fist.
Tuesday, November 08, 2005
Cat food
Say something clever, Marjorie. Say something clever and maybe the nice man with the clean fingernails and the suit that looks like it might have been pressed this morning will buy you a drink.
Marjorie shifted on her barstool and opened her mouth, then closed it.
You're never clever when you need to be, are you? In three hours the perfect line will come to you, it'll wake you up when you're sleeping - alone - when you're fast asleep it'll wake you up, and it'll be too late then. This guy's already looking at his watch, could be a nice watch, hard to tell from over here, he's going to finish his drink and leave, and you'll go home alone tonight and every other night for the rest of your miserable life, you'll be wearing brown skirts and orthopedic shoes in just a few years, opening cans of food for your million and two cats, one of Those, old women in cardigans with hand-crocheted TV cozies and giant doilies for the kitchen table, house smelling of cat pee and Whiskas.
No, there's something else out there, and it's not this little man, there's something else, maybe if I just put down my drink and get up, it's right on the other side of the door. Just once, Marjorie, put down the drink, and step outside.
Marjorie set the drink carefully on the bar. More than half of it was left, and it was good gin. She spread her hand on the padded edge of the bar, red nails shining wet, chipped on the second finger, she couldn't remember when she'd done that. She lifted herself from the stool, slowly, like the floor might shift under her, stood, smoothing the front of her dress before walking for the door.
The man in the suit looked up as she passed, wondering if she said something, sure he'd missed something important, what did she say? but she was already at the door, already pulling it open.
Here it is, Marjorie, you're doing it, there's something different already, it isn't daytime, is it? but daylight is pushing out from behind the door, she could almost feel it, leaning on the door, it's Day out there, not the evening of the day she left, but Day somewhere else, the light like a nuclear blast, like the face of God, step out into the day, Marjorie, you were right, this is it, she could feel the heat all the way in to her bones, and she stepped outside.
Marjorie shifted on her barstool and opened her mouth, then closed it.
You're never clever when you need to be, are you? In three hours the perfect line will come to you, it'll wake you up when you're sleeping - alone - when you're fast asleep it'll wake you up, and it'll be too late then. This guy's already looking at his watch, could be a nice watch, hard to tell from over here, he's going to finish his drink and leave, and you'll go home alone tonight and every other night for the rest of your miserable life, you'll be wearing brown skirts and orthopedic shoes in just a few years, opening cans of food for your million and two cats, one of Those, old women in cardigans with hand-crocheted TV cozies and giant doilies for the kitchen table, house smelling of cat pee and Whiskas.
No, there's something else out there, and it's not this little man, there's something else, maybe if I just put down my drink and get up, it's right on the other side of the door. Just once, Marjorie, put down the drink, and step outside.
Marjorie set the drink carefully on the bar. More than half of it was left, and it was good gin. She spread her hand on the padded edge of the bar, red nails shining wet, chipped on the second finger, she couldn't remember when she'd done that. She lifted herself from the stool, slowly, like the floor might shift under her, stood, smoothing the front of her dress before walking for the door.
The man in the suit looked up as she passed, wondering if she said something, sure he'd missed something important, what did she say? but she was already at the door, already pulling it open.
Here it is, Marjorie, you're doing it, there's something different already, it isn't daytime, is it? but daylight is pushing out from behind the door, she could almost feel it, leaning on the door, it's Day out there, not the evening of the day she left, but Day somewhere else, the light like a nuclear blast, like the face of God, step out into the day, Marjorie, you were right, this is it, she could feel the heat all the way in to her bones, and she stepped outside.
Sunday, October 23, 2005
But there's always time for scratch fiction
Arlene leaned on the counter, jiggling one foot behind her. "I wonder what they're looking at?"
"Huh?" Norman was looking at the smudge she left on the glass, he'd just Windexed and she was hanging all over it. Little dolt. She looked good out front, though, the rich guys loved to buy jewelry from her, never mind she had no idea what she was talking about. She'd hold a gold chain against her neck, hanging into her cleavage and say, "Every woman's skin looks good with gold," and they only had to focus long enough to pull out a credit card.
Right now she was sprawled all the way across the counter to get a good look outside.
"Those people, what're they looking at?"
Norman stepped around the counter and ducked a little to look out the door. People were standing outside, looking up. Dozens of people out on the street, all of them looking straight up into the air.
"I'm due for a smoke," said Norman, reaching over the counter for his pack and lighter, "You watch the store, I'll see what's up."
Norman chuckled at his little pun, walking out the door, up the two steps.
He stopped next to the guy from the salon next door, squinted up at the sky, tucking a cigarette into his mouth.
"What's going on?"
The salon guy shook his head, half shook it, still staring up, mouth open, eyes wide.
That was funny, the August sun was right overhead, full wattage, but the salon guy wasn't squinting. Norman frowned upward, striking his lighter.
The flame went out, his cigarette hanging in his mouth, unlit.
"What the fuck...?"
Something was falling out of the blue sky. Snow. It was eighty degrees outside. Norman looked around. Everyone was still, staring up. Cars were stopped. Arlene was leaning slowly out the door, her face turning up.
"It's not snow, it can't be," said Norman.
Nobody said anything. Huge flakes drifted down, thicker and thicker.
Arlene froze where she stood, halfway out the door.
"Look," said Norman, "This is stupid. It's not snow." He lifted a hand to catch some, to show them all it was something else. Five, eight flakes landed in his palm, on his fingers. Slowly they grew translucent, he could see individual crystals, like when he cut out snowflakes in school, rounded scissors clipping out perfect little triangles, diamonds, circles. "No two snowflakes alike," his teacher would say, but Norman's were, all of Norman's snowflakes were identical.
More flakes lighted on his hand, the first ones melted into tiny lakes, fresh flakes caught on the shores, losing their perfect whiteness, crystal bones showing through, then dissolving into water in his palm.
"Huh?" Norman was looking at the smudge she left on the glass, he'd just Windexed and she was hanging all over it. Little dolt. She looked good out front, though, the rich guys loved to buy jewelry from her, never mind she had no idea what she was talking about. She'd hold a gold chain against her neck, hanging into her cleavage and say, "Every woman's skin looks good with gold," and they only had to focus long enough to pull out a credit card.
Right now she was sprawled all the way across the counter to get a good look outside.
"Those people, what're they looking at?"
Norman stepped around the counter and ducked a little to look out the door. People were standing outside, looking up. Dozens of people out on the street, all of them looking straight up into the air.
"I'm due for a smoke," said Norman, reaching over the counter for his pack and lighter, "You watch the store, I'll see what's up."
Norman chuckled at his little pun, walking out the door, up the two steps.
He stopped next to the guy from the salon next door, squinted up at the sky, tucking a cigarette into his mouth.
"What's going on?"
The salon guy shook his head, half shook it, still staring up, mouth open, eyes wide.
That was funny, the August sun was right overhead, full wattage, but the salon guy wasn't squinting. Norman frowned upward, striking his lighter.
The flame went out, his cigarette hanging in his mouth, unlit.
"What the fuck...?"
Something was falling out of the blue sky. Snow. It was eighty degrees outside. Norman looked around. Everyone was still, staring up. Cars were stopped. Arlene was leaning slowly out the door, her face turning up.
"It's not snow, it can't be," said Norman.
Nobody said anything. Huge flakes drifted down, thicker and thicker.
Arlene froze where she stood, halfway out the door.
"Look," said Norman, "This is stupid. It's not snow." He lifted a hand to catch some, to show them all it was something else. Five, eight flakes landed in his palm, on his fingers. Slowly they grew translucent, he could see individual crystals, like when he cut out snowflakes in school, rounded scissors clipping out perfect little triangles, diamonds, circles. "No two snowflakes alike," his teacher would say, but Norman's were, all of Norman's snowflakes were identical.
More flakes lighted on his hand, the first ones melted into tiny lakes, fresh flakes caught on the shores, losing their perfect whiteness, crystal bones showing through, then dissolving into water in his palm.
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